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Welcome to our press section. Please find here all information and material on the JULIA STOSCHEK COLLECTION exhibitions and events, as well as images for download in print quality. All re­pro­duc­tions of­fered as down­loads are un­der copy­right and are sole­ly to be used for cur­rent re­port­ing about the program. If you have any questions or require additional material, please contact us directly: press@jsc.art

 

A press preview of SOPHIA AL-MARIA – BITCH OMEGA and FILMS BY MOREHSHIN ALLAHYARI will take place on Thursday, 5 March 2020 between 11:00 a.m. – 2:00 p.m. at JSC Düsseldorf. Sophia Al-Maria and curator Lisa Long will be present. Registration is requested: press@jsc.art

Press releases
SOPHIA AL-MARIA: BITCH OMEGA
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HORIZONTAL VERTIGO: FILMS BY MOREHSHIN ALLAHYARI
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JSC ON VIEW: WORKS FROM THE JULIA STOSCHEK COLLECTION | BASEL ABBAS & RUANNE ABOU-RAHME, THOMAS DEMAND, BEATRICE GIBSON, ARTHUR JAFA, SIGALIT LANDAU, ADAM MCEWEN, COLIN MONTGOMERY, TARYN SIMON, HITO STEYERL, TOBIAS ZIELONY | 2020
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ACUTE ART | JSC: NATHALIE DJURBERG & HANS BERG | 2020
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MERIEM BENNANI: PARTY ON THE CAPS | 2020
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SCREENING: FILMS BY TRINH T. MINH-HA | 2019
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STAN DOUGLAS: SPLICING BLOCK | 2019 – 2020
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COLLABORATION: JSC AND ACUTE ART, LONDON | 2019
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ONE YEAR-PROGRAM: HORIZONTAL VERTIGO | 2019 – 2020
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HORIZONTAL VERTIGO | ARTIST CV
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Images

JSC ON VIEW: Thomas Demand, Beatrice Gibson, Arthur Jafa, Sigalit Landau, Hito Steyerl & Other

Arthur Jafa, Apex, 2013. Installation view, JSC ON VIEW, JSC Düsseldorf. Photo: Simon Vogel, Cologne. Courtesy of the artist and Gavin Brown’s Enterprise, New York / Rome.

From left to right: Sigalit Landau, Barbed Hula, 2000; Basel Abbas & Ruanne Abou-Rahme, The Incidental Insurgents: The Part About The Bandits (Chapter 2), 2012/13; Hito Steyerl, November, 2004, installation view, JSC ON VIEW, JSC Düsseldorf. Photo: Simon Vogel, Cologne.

Left: Thomas Demand, Zaun / Fence, 2004. Right: Thomas Demand, Badezimmer / Bathroom, 1997. Installation view, JSC ON VIEW, JSC Düsseldorf. Photo: Simon Vogel, Cologne, Courtesy of the artist and Sprüth Magers.

Left: Tobias Zielony, The Street (C.P.A.), 2013, HD video, stop motion, 1′57′′, color, no sound. Right: Tobias Zielony, Maskirovka, 2017, HD video, stop motion, 8′46′′, color, no sound. Installation view, JSC ON VIEW, JSC Düsseldorf. Photo: Simon Vogel, Cologne, Courtesy of the artist and KOW Berlin / Madrid.

Thomas Demand, Bathroom, 1997, C-print, diasec, 160 × 122 cm. © VG Bild-Kunst, Bonn 2019. Courtesy of the artist.

Taryn Simon, RONALD JONES Scene of arrest, South Side, Chicago, Illinois. Served 8 years of a death sentence for Rape and Murder, 2002, C­-print on aluminium, 121,9 × 157,5 cm. Courtesy of the artist and Gagosian Gallery, New York.

Hito Steyerl, November, 2004, video, 25′, color, sound. Video still, © VG Bild-Kunst, Bonn 2019. Courtesy of the artist and KOW, Berlin.

Arthur Jafa, Apex, 2013, video, 8′22″, color, sound. Video still. Courtesy of the artist and Gavin Brown’s Enterprise, New York/Rome

Sigalit Landau, Barbed Hula, 2000, video, 1′48′′, loop, color, sound. Video still. Courtesy of the artist.

Tobias Zielony, Maskirovka, 2017, HD-Video, Stop Motion, 8′46″, color, no sound. Video still. Courtesy of the artist and KOW, Berlin/Madrid.


ACUTE ART AT JSC: Nathalie Djurberg & Hans Berg

Nathalie Djurberg & Hans Berg, It Will End in Stars, 2018, virtual reality. Courtesy of the artist and Acute Art.

Nathalie Djurberg & Hans Berg, It Will End in Stars, 2018, virtual reality. Courtesy of the artist and Acute Art.

Nathalie Djurberg & Hans Berg, It Will End in Stars, 2018, virtual reality. Courtesy of the artist and Acute Art.

Nathalie Djurberg & Hans Berg, It Will End in Stars, 2018, virtual reality. Courtesy of the artist and Acute Art.

Nathalie Djurberg & Hans Berg, It Will End in Stars, 2018, virtual reality. Courtesy of the artist and Acute Art.


HORIZONTAL VERTIGO: Meriem Bennani – Party on the CAPS

Meriem Bennani, Party on the CAPS, 2018, Eight-channel video installation, 30’, color, sound. Installation View, JSC Berlin. Photo: Alwin Lay, Courtesy of the artist and C L E A R I N G, New York / Brussels.

Meriem Bennani, Party on the CAPS, 2018, Eight-channel video installation, 30’, color, sound. Installation View, JSC Berlin. Photo: Alwin Lay, Courtesy of the artist and C L E A R I N G, New York / Brussels.

Meriem Bennani, Party on the CAPS, 2018, Eight-channel video installation, 30’, color, sound. Installation View, JSC Berlin. Photo: Alwin Lay, Courtesy of the artist and C L E A R I N G, New York / Brussels.

Meriem Bennani, Party on the CAPS, 2018, Eight-channel video installation, 30’, color, sound. Installation View, JSC Berlin. Photo: Alwin Lay, Courtesy of the artist and C L E A R I N G, New York / Brussels.

Meriem Bennani, Party on the CAPS, 2018, Eight-channel video installation, 30’, color, sound. Installation View, JSC Berlin. Photo: Alwin Lay, Courtesy of the artist and C L E A R I N G, New York / Brussels.

Meriem Bennani, Party on the CAPS, 2018, Eight-channel video installation, 30’, color, sound. Video still. Courtesy of the artist and C L E A R I N G, New York / Brussels.

Meriem Bennani, Party on the CAPS, 2018, Eight-channel video installation, 30’, color, sound. Video still. Courtesy of the artist and C L E A R I N G, New York / Brussels.

Meriem Bennani, Party on the CAPS, 2018, Eight-channel video installation, 30’, color, sound. Video still. Courtesy of the artist and C L E A R I N G, New York / Brussels.

Meriem Bennani, Party on the CAPS, 2018, Eight-channel video installation, 30’, color, sound. Video still. Courtesy of the artist and C L E A R I N G, New York / Brussels.


Stan Douglas – Splicing Block

Stan Douglas, Hors-champs, 1992, two-channel video installation, 13’20’’, b/w, sound. Installation view (detail), JSC Berlin. Photo: Alwin Lay. Courtesy of the artist, Victoria Miro and David Zwirner.

Stan Douglas, Hors-champs, 1992, two-channel video installation, 13’20’’, b/w, sound. Installation view (detail), JSC Berlin. Photo: Alwin Lay. Courtesy of the artist, Victoria Miro and David Zwirner.

Stan Douglas, Luanda-Kinshasa, 2013, one-channel video installation, 361’ (loop), color, sound. Installation view, JSC Berlin. Photo: Alwin Lay. Courtesy of the artist, Victoria Miro and David Zwirner.

Stan Douglas, Luanda-Kinshasa, 2013, one-channel video installation, 361’ (loop), color, sound. Installation view, JSC Berlin. Photo: Alwin Lay. Courtesy of the artist, Victoria Miro and David Zwirner.

Left: Stan Douglas, Exodus, 1975, 2012. Right: Stan Douglas, Two Friends, 1975. Installation view, JSC Berlin. Photo: Alwin Lay. Courtesy of the artist, Victoria Miro and David Zwirner.

Stan Douglas, Exodus, 1975, 2012, Digital C-print mounted on aluminum: 187.7 x 265.1 cm. Installation view, JSC Berlin. Photo: Alwin Lay. Courtesy of Sammlung Goetz.

Stan Douglas, Two Friends, 1975, 2012, Digital C-print mounted on aluminum: 106.7 x 142.2 cm. Courtesy of the artist, Victoria Miro and David Zwirner.

Stan Douglas, A Luta Continua, 1974, 2012, Digital C-print mounted on aluminum, 120.7 x 181 cm. Courtesy of the artist, Victoria Miro and David Zwirner.

Stan Douglas, Hors-champs, 1992, two-channel video installation, 13’20’’, b/w, sound, dimensions variable. Video still. Courtesy of the artist, Victoria Miro and David Zwirner.

Stan Douglas, Luanda-Kinshasa, 2013, one-channel video installation, 361’ (loop), color, sound, dimensions variable. Video still. Courtesy of the artist, Victoria Miro and David Zwirner.

Stan Douglas, Luanda-Kinshasa, 2013, one-channel video installation, 361’ (loop), color, sound, dimensions variable. Video still. Courtesy of the artist, Victoria Miro and David Zwirner.

Stan Douglas, Luanda-Kinshasa, 2013, one-channel video installation, 361’ (loop), color, sound, dimensions variable. Video still. Courtesy of the artist, Victoria Miro and David Zwirner.


HORIZONTAL VERTIGO: Sophia Al-Maria – Bitch Omega

Sophia Al-Maria, Beast Type Song, 2019, video, 38’03’’, color, sound. Video still. Courtesy of the artist and Project Native Informant, London.

Sophia Al-Maria, Major Motions, 2018, video installation, consisting of VHS, VCR, strobe light, HD video, 38’03’’, color, sound. Video still. Courtesy of the artist and Project Native Informant, London.

Sophia Al-Maria, White Man’s Bible (Revenge Porn), 2018, video installation, 59 magazines, headphones, iPhone. Installation view. Courtesy of the artist, Anna Lena Films and Project Native Informant, London.

Left: Sophia Al-Maria, Rape Gaze, 2014, collage on canvas, 198 x 320 x 4 cm. Right: Torturous Journey, 2014, video installation, consisting of screen, headphones, HD video, 11’, color, sound. Courtesy of the artist and Project Native Informant, London.


HORIZONTAL VERTIGO: Films by Morehshin Allahyari

Morehshin Allahyari, She Who Sees The Unknown: Ya’jooj Ma’jooj, 2017-18, 7’14’’, color, sound. Video still. Courtesy of the artist.

Morehshin Allahyari, She Who Sees The Unknown: Aisha Qandisha, 2018, 7’14’’, color, sound. Video still. Courtesy of the artist.

Morehshin Allahyari, She Who Sees The Unknown: Huma, 2016, 6’4’’, color, sound. Video still. Courtesy of the artist.


One Year-Program Horizontal Vertigo 2019 / 2020

Sophia Al-Maria, Beast Type Song, 2019, video, 38’03’’, color, sound. Video still. Courtesy of the artist and Project Native Informant, London.

Meriem Bennani, Party on the CAPS, 2018, Eight-channel video installation, 30’, color, sound. Video still. Courtesy of the artist and C L E A R I N G, New York / Brussels.

Rindon Johnson, Leah and I … , 2019,
35 mm slides. Still. Courtesy of the artist.

Pauline Boudry / Renate Lorenz, I Want, 2015, installation with double HD projection, 16’. Film still. Performance: Sharon Hayes. Film still: Andrea Thal. Courtesy of Ellen de Bruijne Projects and Galerie Marcelle Alix.

Pauline Boudry / Renate Lorenz, To Valerie Solanas and Marilyn Monroe in Recognition of their desperation, 2013, installation with super 16mm film transferred to video, HD, 18’. Performance: Rachel Aggs, Peaches, Catriona Shaw, Verity Susman, Ginger Brooks Taka-hashi, William Wheeler. Film still: Andrea Thal. Courtesy of Ellen de Bruijne Projects and Galerie Marcelle Alix.

A.K. BurnsNegative Space: A Smeary Spot, 2015, four-channel video installation. Videos 1–3: HD, color, six-channel sound, 53’13’’, synchronized loop. Video 4: SD, b/w, silent, 4’ loop. Video still. Courtesy of the artist, Callicoon Fine Arts and Michel Rein Gallery. 

A.K. BurnsNegative Space: Living Room2017, two-channel HD video installation, color, 36’, synchronized loop. Film still. Photo: Eden Batki. Courtesy of the artist, Callicoon Fine Arts and Michel Rein Gallery.

Colin Self, Siblings (Elation VI)2018, live performance MoMA PS1, New York. Photo: Maria Barranova. © VG Bild-Kunst, Bonn 2019. Courtesy of the artist.


Architecture JSC Düsseldorf

Installation view, GENERATION LOSS, JSC Düsseldorf, first floor. Photo: Simon Vogel, Cologne.

JSC Düsseldorf, foyer, first floor. Photo: Şirin Şimşek, Cologne.

JSC Düsseldorf, foyer, first floor. Photo: Şirin Şimşek, Cologne.

JSC Düsseldorf, building (outside). Photo: © Ulrich Schwarz, Berlin.

JSC Düsseldorf, building (outside). Photo: Simon Vogel, Cologne.

JSC Düsseldorf, building (outside). Photo: © Ulrich Schwarz, Berlin.


Architecture JSC Berlin

JSC Berlin, foyer, ground floor. Photo: Robert Hamacher, Berlin.

JSC Berlin, foyer, ground floor. Photo: Robert Hamacher, Berlin.

JSC Berlin, foyer, ground floor. Photo: Robert Hamacher, Berlin.

JSC Berlin, building (outside). Photo: Robert Hamacher, Berlin.

JSC Berlin, foyer, first floor. Photo: Robert Hamacher, Berlin.


Julia Stoschek

Julia Stoschek, Photo: Peter Rigaud.

Julia Stoschek, Photo: Peter Rigaud.

Julia Stoschek, Foto: Peter Rigaud.

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