Julia Stoschek Collection

Images

JSC ON VIEW: Thomas Demand, Beatrice Gibson, Arthur Jafa, Sigalit Landau, Hito Steyerl & Other

Left: Tobias Zielony, The Street (C.P.A.), 2013, HD video, stop motion, 1′57′′, color, no sound. Right: Tobias Zielony, Maskirovka, 2017, HD video, stop motion, 8′46′′, color, no sound. Installation view, JSC ON VIEW, JSC Düsseldorf. Photo: Simon Vogel, Courtesy of the artist and KOW Berlin / Madrid.

Thomas Demand, Badezimmer, 1997, C-print, diasec, 160 × 122 cm. © VG Bild-Kunst, Bonn 2019. Courtesy of the artist.

Taryn Simon, RONALD JONES Scene of arrest, South Side, Chicago, Illinois. Served 8 years of a death sentence for Rape and Murder, 2002, C-print on aluminium, 121,9 × 157,5 cm. Courtesy of the artist and Gagosian Gallery, New York.

Hito Steyerl, November, 2004, video, 25′, color, sound. Video still, © VG Bild-Kunst, Bonn 2019. Courtesy of the artist and KOW, Berlin.

Arthur Jafa, Apex, 2013, video, 8′22″, color, sound. Video still. Courtesy of the artist and Gavin Brown’s Enterprise, New York/Rome

Sigalit Landau, Barbed Hula, 2000, video, 1′48′′, loop, color, sound. Video still. Courtesy of the artist.

Tobias Zielony, Maskirovka, 2017, HD-Video, Stop Motion, 8′46″, color, no sound. Vide ostill. Courtesy of the artist and KOW, Berlin/Madrid.

ACUTE ART AT JSC: Nathalie Djurberg & Hans Berg

Nathalie Djurberg & Hans Berg, It Will End in Stars, 2018, virtual reality. Courtesy of the artist and Acute Art.

HORIZONTAL VERTIGO: Meriem Bennani – Party on the CAPS

Meriem Bennani, Party on the CAPS, 2018, Eight-channel video installation, 30’, color, sound. Video still. Courtesy of the artist and C L E A R I N G, New York / Brussels.

HORIZONTAL VERTIGO: A.K. Burns – Negative Space

A.K. Burns, Untitled, Eclipse, 2019, 16-mm-Film, transferred to video, 13’, color, no sound. Installation view (detail). Photo: Alwin Lay, Courtesy of the artist, Callicoon Fine Arts, New York and Michel Rein Gallery, Paris/Brussels.

A.K. Burns, Leave No Trace, 2019, vinyl; 31’08’’, sound, black nitrile gloves, clear zip-lock bag silkscreen in white ink with poem printed on reverse. Installation view (detail). Photo: Alwin Lay, Courtesy of the artist, Callicoon Fine Arts, New York and Michel Rein Gallery, Paris/Brussels.

A.K. Burns, A Smeary Spot (Negative Space 0), 2015, four-channel video installation, consisting of: HD video 1-3, 53’13’’, color, sound, loop; SD-video 4, 4’, b/w, no sound, loop. Installation view (detail). Photo: Alwin Lay, Courtesy of the artist, Callicoon Fine Arts, New York and Michel Rein Gallery, Paris/Brussels.

A.K. Burns, Living Room (Negative Space 00), 2017, two-channel HD video installation, aluminum framing studs, dry wall, gutted couch, LED lights, carpet; Video: 36’, color, sound, loop. Installation view (detail). Photo: Alwin Lay, Courtesy of the artist, Callicoon Fine Arts, New York and Michel Rein Gallery, Paris/Brussels.

A.K. Burns, Leave No Trace (Negative Space 000), 2019, five-channel HD video installation, plastic skull, rubber tires, 31’8’’, color, sound. Installation view (detail). Photo: Alwin Lay, Courtesy of the artist, Callicoon Fine Arts, New York and Michel Rein Gallery, Paris/Brussels.

A.K. Burns, Leave No Trace (Negative Space 000), 2019, five-channel HD video installation, plastic skull, rubber tires, 31’8’’, color, sound. Installation view (detail). Photo: Alwin Lay, Courtesy of the artist, Callicoon Fine Arts, New York and Michel Rein Gallery, Paris/Brussels

A.K. Burns, ‚Negative Space Poster‘ for exhibition at the JSC, 2019, digital collage, open edition, dimensions variable. Courtesy of the artist.

A.K. Burns, Leave No Trace (Negative Space 000), 2019, five-channel HD video installation, plastic skull, rubber tires, 31’8’’, color, sound. Video still. Courtesy of the artist, Callicoon Fine Arts and Michel Rein Gallery, Paris/Brussels.

A.K. Burns,Leave No Trace (Negative Space 000), 2019, five-channel HD video installation, plastic skull, rubber tires, 31’8’’, color, sound. Video still. Courtesy of the artist, Callicoon Fine Arts and Michel Rein Gallery, Paris/Brussels.

A.K. Burns, Living Room (Negative Space 00), 2017, two-channel HD video installation, aluminum framing studs, dry wall, gutted couch, LED lights, carpet; Video: 36’, color, sound, loop. Video still. Courtesy of the artist, Callicoon Fine Arts and Michel Rein Gallery, Paris/Brussels.

A.K. Burns, A Smeary Spot (Negative Space 0), 2015, Four-channel video installation, consisting of: HD video 1–3, 53’13’’, color, sound, loop; SD-video 4, 4’, b/w, no sound, loop. Video still. Courtesy of the artist, Callicoon Fine Arts, NY and Michel Rein Gallery, Paris/Brussels.

Stan Douglas – Splicing Block

Stan Douglas, Hors-champs, 1992, two-channel video installation, 13’20’’, b/w, sound, dimensions variable. Installation view (detail). Courtesy of the artist, Victoria Miro and David Zwirner.

Stan Douglas, Luanda-Kinshasa, 2013, one-channel video installation, 361’ (loop), color, sound, dimensions variable. Installation view. Courtesy of the artist, Victoria Miro and David Zwirner.

Left: A Luta Continua, 1974, 2012, Digital C-print mounted on aluminum, 120.7 x 181 cm. Right: Two Friends, 1975, 2012, Digital C-print mounted on aluminum: 106.7 x 142.2 cm. Courtesy of the artist, Victoria Miro and David Zwirner. Installation view. Courtesy of the artist, Victoria Miro and David Zwirner.

Stan Douglas, Exodus, 1975, 2012, Digital C-print mounted on aluminum: 187.7 x 265.1 cm. Installation view. Courtesy of Sammlung Goetz.

Stan Douglas, Two Friends, 1975, 2012, Digital C-print mounted on aluminum: 106.7 x 142.2 cm. Courtesy of the artist, Victoria Miro and David Zwirner.

Stan Douglas, A Luta Continua, 1974, 2012, Digital C-print mounted on aluminum, 120.7 x 181 cm. Courtesy of the artist, Victoria Miro and David Zwirner.

Stan Douglas, Hors-champs, 1992, two-channel video installation, 13’20’’, b/w, sound, dimensions variable. Video still. Courtesy of the artist, Victoria Miro and David Zwirner.

Stan Douglas, Luanda-Kinshasa, 2013, one-channel video installation, 361’ (loop), color, sound, dimensions variable. Video still. Courtesy of the artist, Victoria Miro and David Zwirner.

Acute Art at JSC: Bjarne Melgaard, Koo Jeong A

Bjarne Melgaard, My Trip, 2019, virtual reality installation, 15′. Film still. Courtesy of the artist and Acute Art, London.

Koo Jeong A, density, 2019, augmented reality. Courtesy of the artist and Acute Art, London

One Year-Program Horizontal Vertigo 2019 / 2020

Sophia Al-Maria, Beast Type Song, 2019, video, 38’03’’, color, sound. Video still. Courtesy of the artist and Project Native Informant, London.

Meriem Bennani, Party on the CAPS, 2018, Eight-channel video installation, 30’, color, sound. Video still. Courtesy of the artist and C L E A R I N G, New York / Brussels.

Rindon Johnson, Leah and I … , 2019,
35 mm slides. Still. Courtesy of the artist.

Pauline Boudry / Renate Lorenz, I Want, 2015, installation with double HD projection, 16’. Film still. Performance: Sharon Hayes. Film still: Andrea Thal. Courtesy of Ellen de Bruijne Projects and Galerie Marcelle Alix.

Pauline Boudry / Renate Lorenz, To Valerie Solanas and Marilyn Monroe in Recognition of their desperation, 2013, installation with super 16mm film transferred to video, HD, 18’. Performance: Rachel Aggs, Peaches, Catriona Shaw, Verity Susman, Ginger Brooks Taka-hashi, William Wheeler. Film still: Andrea Thal. Courtesy of Ellen de Bruijne Projects and Galerie Marcelle Alix.

A.K. Burns, Negative Space: A Smeary Spot, 2015, four-channel video installation. Videos 1–3: HD, color, six-channel sound, 53’13’’, synchronized loop. Video 4: SD, b/w, silent, 4’ loop. Video still. Courtesy of the artist, Callicoon Fine Arts and Michel Rein Gallery.

A.K. Burns, Negative Space: Living Room, 2017, two-channel HD video installation, color, 36’, synchronized loop. Film still. Photo: Eden Batki. Courtesy of the artist, Callicoon Fine Arts and Michel Rein Gallery.

Colin Self, Siblings (Elation VI), 2018, live performance MoMA PS1, New York. Photo: Maria Barranova. © VG Bild-Kunst, Bonn 2019. Courtesy of the artist.

Architecture JSC Düsseldorf

Installation view, GENERATION LOSS, JSC Düsseldorf, first floor. Photo: Simon Vogel, Cologne.

JSC ON VIEW: Thomas Demand, Beatrice Gibson, Arthur Jafa, Sigalit Landau, Hito Steyerl & Other

Thomas Demand, Badezimmer, 1997, C-print, diasec, 160 × 122 cm. © VG Bild-Kunst, Bonn 2019. Courtesy of the artist.

Taryn Simon, RONALD JONES Scene of arrest, South Side, Chicago, Illinois. Served 8 years of a death sentence for Rape and Murder, 2002, C­-print on aluminium, 121,9 × 157,5 cm. Courtesy of the artist and Gagosian Gallery, New York.

Hito Steyerl, November, 2004, video, 25′, color, sound. Video still, © VG Bild-Kunst, Bonn 2019. Courtesy of the artist and KOW, Berlin.

Arthur Jafa, Apex, 2013, video, 8′22″, color, sound. Video still. Courtesy of the artist and Gavin Brown’s Enterprise, New York/Rome

Sigalit Landau, Barbed Hula, 2000, video, 1′48′′, loop, color, sound. Video still. Courtesy of the artist.

Tobias Zielony, Maskirovka, 2017, HD-Video, Stop Motion, 8′46″, color, no sound. Vide ostill. Courtesy of the artist and KOW, Berlin/Madrid.

ACUTE ART AT JSC: Nathalie Djurberg & Hans Berg

Nathalie Djurberg & Hans Berg, It Will End in Stars, 2018, virtual reality. Courtesy of the artist and Acute Art.

Nathalie Djurberg & Hans Berg, It Will End in Stars, 2018, virtual reality. Courtesy of the artist and Acute Art.

Nathalie Djurberg & Hans Berg, It Will End in Stars, 2018, virtual reality. Courtesy of the artist and Acute Art.

Nathalie Djurberg & Hans Berg, It Will End in Stars, 2018, virtual reality. Courtesy of the artist and Acute Art.

Nathalie Djurberg & Hans Berg, It Will End in Stars, 2018, virtual reality. Courtesy of the artist and Acute Art.

HORIZONTAL VERTIGO: Meriem Bennani – Party on the CAPS

Meriem Bennani, Party on the CAPS, 2018, Eight-channel video installation, 30’, color, sound. Video still. Courtesy of the artist and C L E A R I N G, New York / Brussels.

Meriem Bennani, Party on the CAPS, 2018, Eight-channel video installation, 30’, color, sound. Video still. Courtesy of the artist and C L E A R I N G, New York / Brussels.

Meriem Bennani, Party on the CAPS, 2018, Eight-channel video installation, 30’, color, sound. Video still. Courtesy of the artist and C L E A R I N G, New York / Brussels.

Meriem Bennani, Party on the CAPS, 2018, Eight-channel video installation, 30’, color, sound. Video still. Courtesy of the artist and C L E A R I N G, New York / Brussels.

HORIZONTAL VERTIGO: A.K. Burns – Negative Space

A.K. Burns, Untitled, Eclipse, 2019, 16-mm-Film, transferred to video, 13’, color, no sound. Installation view (detail). Photo: Alwin Lay, Courtesy of the artist, Callicoon Fine Arts, New York and Michel Rein Gallery, Paris/Brussels.

A.K. Burns, Leave No Trace, 2019, vinyl; 31’08’’, sound, black nitrile gloves, clear zip-lock bag silkscreen in white ink with poem printed on reverse. Installation view (detail). Photo: Alwin Lay, Courtesy of the artist, Callicoon Fine Arts, New York and Michel Rein Gallery, Paris/Brussels.

A.K. Burns, Leave No Trace (Negative Space 000), 2019, five-channel HD video installation, plastic skull, rubber tires, 31’8’’, color, sound. Installation view (detail). Photo: Alwin Lay, Courtesy of the artist, Callicoon Fine Arts, New York and Michel Rein Gallery, Paris/Brussels.

A.K. Burns, Leave No Trace (Negative Space 000), 2019, five-channel HD video installation, plastic skull, rubber tires, 31’8’’, color, sound. Installation view (detail). Photo: Alwin Lay, Courtesy of the artist, Callicoon Fine Arts, New York and Michel Rein Gallery, Paris/Brussels

A.K. Burns, ‚Negative Space Poster‘ for exhibition at the JSC, 2019, digital collage, open edition, dimensions variable. Courtesy of the artist.

A.K. Burns, Leave No Trace (Negative Space 000), 2019, five-channel HD video installation, plastic skull, rubber tires, 31’8’’, color, sound. Video still. Courtesy of the artist, Callicoon Fine Arts and Michel Rein Gallery, Paris/Brussels.

A.K. Burns,Leave No Trace (Negative Space 000), 2019, five-channel HD video installation, plastic skull, rubber tires, 31’8’’, color, sound. Video still. Courtesy of the artist, Callicoon Fine Arts and Michel Rein Gallery, Paris/Brussels.

A.K. Burns, Living Room (Negative Space 00), 2017, two-channel HD video installation, aluminum framing studs, dry wall, gutted couch, LED lights, carpet; Video: 36’, color, sound, loop. Video still. Courtesy of the artist, Callicoon Fine Arts and Michel Rein Gallery, Paris/Brussels.

A.K. Burns, A Smeary Spot (Negative Space 0), 2015, Four-channel video installation, consisting of: HD video 1–3, 53’13’’, color, sound, loop; SD-video 4, 4’, b/w, no sound, loop. Video still. Courtesy of the artist, Callicoon Fine Arts, NY and Michel Rein Gallery, Paris/Brussels.

Stan Douglas – Splicing Block

Stan Douglas, Hors-champs, 1992, two-channel video installation, 13’20’’, b/w, sound, dimensions variable. Installation view (detail). Courtesy of the artist, Victoria Miro and David Zwirner.

Stan Douglas, Hors-champs, 1992, two-channel video installation, 13’20’’, b/w, sound, dimensions variable. Installation view (detail). Courtesy of the artist, Victoria Miro and David Zwirner.

Stan Douglas, Luanda-Kinshasa, 2013, one-channel video installation, 361’ (loop), color, sound, dimensions variable. Installation view. Courtesy of the artist, Victoria Miro and David Zwirner.

Stan Douglas, Luanda-Kinshasa, 2013, one-channel video installation, 361’ (loop), color, sound, dimensions variable. Installation view. Courtesy of the artist, Victoria Miro and David Zwirner.

Stan Douglas, Exodus, 1975, 2012, Digital C-print mounted on aluminum: 187.7 x 265.1 cm. Installation view. Courtesy of Sammlung Goetz.

Stan Douglas, Two Friends, 1975, 2012, Digital C-print mounted on aluminum: 106.7 x 142.2 cm. Courtesy of the artist, Victoria Miro and David Zwirner.

Stan Douglas, A Luta Continua, 1974, 2012, Digital C-print mounted on aluminum, 120.7 x 181 cm. Courtesy of the artist, Victoria Miro and David Zwirner.

Stan Douglas, Hors-champs, 1992, two-channel video installation, 13’20’’, b/w, sound, dimensions variable. Video still. Courtesy of the artist, Victoria Miro and David Zwirner.

Stan Douglas, Luanda-Kinshasa, 2013, one-channel video installation, 361’ (loop), color, sound, dimensions variable. Video still. Courtesy of the artist, Victoria Miro and David Zwirner.

Stan Douglas, Luanda-Kinshasa, 2013, one-channel video installation, 361’ (loop), color, sound, dimensions variable. Video still. Courtesy of the artist, Victoria Miro and David Zwirner.

Stan Douglas, Luanda-Kinshasa, 2013, one-channel video installation, 361’ (loop), color, sound, dimensions variable. Video still. Courtesy of the artist, Victoria Miro and David Zwirner.

Acute Art at JSC: Bjarne Melgaard, Koo Jeong A

Bjarne Melgaard, My Trip, 2019, virtual reality installation, 15′. Film still. Courtesy of the artist and Acute Art, London.

Bjarne Melgaard, My Trip, 2019, virtual reality installation, 15′. Film still. Courtesy of the artist and Acute Art, London.

Bjarne Melgaard, My Trip, 2019, virtual reality installation, 15′. Film still. Courtesy of the artist and Acute Art, London.

Bjarne Melgaard, My Trip, 2019, virtual reality installation, 15′. Film still. Courtesy of the artist and Acute Art, London.

Bjarne Melgaard, My Trip, 2019, virtual reality installation, 15′. Film still. Courtesy of the artist and Acute Art, London.

Bjarne Melgaard, My Trip, 2019, virtual reality installation, 15′. Film still. Courtesy of the artist and Acute Art, London.

Koo Jeong A, density, 2019, augmented reality. Courtesy of the artist and Acute Art, London

Koo Jeong A, density, 2019, augmented reality. Courtesy of the artist and Acute Art, London

One Year-Program Horizontal Vertigo 2019 / 2020

Sophia Al-Maria, Beast Type Song, 2019, video, 38’03’’, color, sound. Video still. Courtesy of the artist and Project Native Informant, London.

Meriem Bennani, Party on the CAPS, 2018, Eight-channel video installation, 30’, color, sound. Video still. Courtesy of the artist and C L E A R I N G, New York / Brussels.

Rindon Johnson, Leah and I … , 2019, 35 mm slides. Still. Courtesy of the artist.

Pauline Boudry / Renate Lorenz, I Want, 2015, installation with double HD projection, 16’. Film still. Performance: Sharon Hayes. Film still: Andrea Thal. Courtesy of Ellen de Bruijne Projects and Galerie Marcelle Alix.

A.K. Burns, Negative Space: A Smeary Spot, 2015, four-channel video installation. Videos 1–3: HD, color, six-channel sound, 53’13’’, synchronized loop. Video 4: SD, b/w, silent, 4’ loop. Video still. Courtesy of the artist, Callicoon Fine Arts and Michel Rein Gallery.

A.K. Burns, Negative Space: Living Room, 2017, two-channel HD video installation, color, 36’, synchronized loop. Film still. Photo: Eden Batki. Courtesy of the artist, Callicoon Fine Arts and Michel Rein Gallery.

Colin Self, Siblings (Elation VI), 2018, live performance MoMA PS1, New York. Photo: Maria Barranova. © VG Bild-Kunst, Bonn 2019. Courtesy of the artist.

Architecture JSC Düsseldorf

Installation view, GENERATION LOSS, JSC Düsseldorf, first floor. Photo: Simon Vogel, Cologne.

JSC Düsseldorf, foyer, first floor. Photo: Şirin Şimşek, Cologne.

JSC Düsseldorf, foyer, first floor. Photo: Şirin Şimşek, Cologne.

JSC Düsseldorf, building (outside). Photo: © Ulrich Schwarz, Berlin.

JSC Düsseldorf, building (outside). Photo: Simon Vogel, Cologne.

JSC Düsseldorf, building (outside). Photo: © Ulrich Schwarz, Berlin.

Architecture JSC Berlin

JSC Berlin, foyer, ground floor. Photo: Robert Hamacher, Berlin.

JSC Berlin, foyer, ground floor. Photo: Robert Hamacher, Berlin.

JSC Berlin, foyer, ground floor. Photo: Robert Hamacher, Berlin.

JSC Berlin, building (outside). Photo: Robert Hamacher, Berlin.

JSC Berlin, foyer, first floor. Photo: Robert Hamacher, Berlin.

Julia Stoschek

Julia Stoschek, Photo: Peter Rigaud.

Julia Stoschek, Photo: Peter Rigaud.

Julia Stoschek, Foto: Peter Rigaud.

Subscribe to our mailing list

Taryn Simon, RONALD JONES Scene of arrest, South Side, Chicago, Illinois. Served 8 years of a death sentence for Rape and Murder, 2002, C-print on aluminium, 121,9 × 157,5 cm. Courtesy of the artist and Gagosian Gallery, New York.

Rindon Johnson, Leah and I … , 2019,
35 mm slides. Still. Courtesy of the artist.