Julia Stoschek Collection

Images

JSC ON VIEW: Thomas Demand, Beatrice Gibson, Arthur Jafa, Sigalit Landau, Hito Steyerl & Other

Arthur Jafa, Apex, 2013. Installation view, JSC ON VIEW, JSC Düsseldorf. Photo: Simon Vogel, Cologne. Courtesy of the artist and Gavin Brown’s Enterprise, New York / Rome.

From left to right: Sigalit Landau, Barbed Hula, 2000; Basel Abbas & Ruanne Abou-Rahme, The Incidental Insurgents: The Part About The Bandits (Chapter 2), 2012/13; Hito Steyerl, November, 2004, installation view, JSC ON VIEW, JSC Düsseldorf. Photo: Simon Vogel, Cologne.

Left: Thomas Demand, Zaun / Fence, 2004. Right: Thomas Demand, Badezimmer / Bathroom, 1997. Installation view, JSC ON VIEW, JSC Düsseldorf. Photo: Simon Vogel, Cologne, Courtesy of the artist and Sprüth Magers.

Left: Tobias Zielony, The Street (C.P.A.), 2013, HD video, stop motion, 1′57′′, color, no sound. Right: Tobias Zielony, Maskirovka, 2017, HD video, stop motion, 8′46′′, color, no sound. Installation view, JSC ON VIEW, JSC Düsseldorf. Photo: Simon Vogel, Cologne, Courtesy of the artist and KOW Berlin / Madrid.

Thomas Demand, Bathroom, 1997, C-print, diasec, 160 × 122 cm. © VG Bild-Kunst, Bonn 2019. Courtesy of the artist.

Taryn Simon, RONALD JONES Scene of arrest, South Side, Chicago, Illinois. Served 8 years of a death sentence for Rape and Murder, 2002, C-print on aluminium, 121,9 × 157,5 cm. Courtesy of the artist and Gagosian Gallery, New York.

Hito Steyerl, November, 2004, video, 25′, color, sound. Video still, © VG Bild-Kunst, Bonn 2019. Courtesy of the artist and KOW, Berlin.

Arthur Jafa, Apex, 2013, video, 8′22″, color, sound. Video still. Courtesy of the artist and Gavin Brown’s Enterprise, New York/Rome

Sigalit Landau, Barbed Hula, 2000, video, 1′48′′, loop, color, sound. Video still. Courtesy of the artist.

Tobias Zielony, Maskirovka, 2017, HD-Video, Stop Motion, 8′46″, color, no sound. Video still. Courtesy of the artist and KOW, Berlin/Madrid.

ACUTE ART AT JSC: Nathalie Djurberg & Hans Berg

Nathalie Djurberg & Hans Berg, It Will End in Stars, 2018, virtual reality. Courtesy of the artist and Acute Art.

HORIZONTAL VERTIGO: Meriem Bennani – Party on the CAPS

Meriem Bennani, Party on the CAPS, 2018, Eight-channel video installation, 30’, color, sound. Installation View, JSC Berlin. Photo: Alwin Lay, Courtesy of the artist and C L E A R I N G, New York / Brussels.

Meriem Bennani, Party on the CAPS, 2018, Eight-channel video installation, 30’, color, sound. Video still. Courtesy of the artist and C L E A R I N G, New York / Brussels.

Stan Douglas – Splicing Block

Stan Douglas, Hors-champs, 1992, two-channel video installation, 13’20’’, b/w, sound. Installation view (detail), JSC Berlin. Photo: Alwin Lay. Courtesy of the artist, Victoria Miro and David Zwirner.

Stan Douglas, Luanda-Kinshasa, 2013, one-channel video installation, 361’ (loop), color, sound. Installation view, JSC Berlin. Photo: Alwin Lay. Courtesy of the artist, Victoria Miro and David Zwirner.

Left: Stan Douglas, Exodus, 1975, 2012. Right: Stan Douglas, Two Friends, 1975. Installation view, JSC Berlin. Photo: Alwin Lay. Courtesy of the artist, Victoria Miro and David Zwirner.

Stan Douglas, Exodus, 1975, 2012, Digital C-print mounted on aluminum: 187.7 x 265.1 cm. Installation view, JSC Berlin. Photo: Alwin Lay. Courtesy of Sammlung Goetz.

Stan Douglas, Two Friends, 1975, 2012, Digital C-print mounted on aluminum: 106.7 x 142.2 cm. Courtesy of the artist, Victoria Miro and David Zwirner.

Stan Douglas, A Luta Continua, 1974, 2012, Digital C-print mounted on aluminum, 120.7 x 181 cm. Courtesy of the artist, Victoria Miro and David Zwirner.

Stan Douglas, Hors-champs, 1992, two-channel video installation, 13’20’’, b/w, sound, dimensions variable. Video still. Courtesy of the artist, Victoria Miro and David Zwirner.

Stan Douglas, Luanda-Kinshasa, 2013, one-channel video installation, 361’ (loop), color, sound, dimensions variable. Video still. Courtesy of the artist, Victoria Miro and David Zwirner.

HORIZONTAL VERTIGO: Sophia Al-Maria – Bitch Omega

Sophia Al-Maria, Beast Type Song, 2019, video, 38’03’’, color, sound. Video still. Courtesy of the artist and Project Native Informant, London.

Sophia Al-Maria, Major Motions, 2018, video installation, consisting of VHS, VCR, strobe light, HD video, 38’03’’, color, sound. Video still. Courtesy of the artist and Project Native Informant, London.

Sophia Al-Maria, White Man’s Bible (Revenge Porn), 2018, video installation, 59 magazines, headphones, iPhone. Installation view. Courtesy of the artist, Anna Lena Films and Project Native Informant, London.

Left: Sophia Al-Maria, Rape Gaze, 2014, collage on canvas, 198 x 320 x 4 cm. Right: Torturous Journey, 2014, video installation, consisting of screen, headphones, HD video, 11’, color, sound. Courtesy of the artist and Project Native Informant, London.

HORIZONTAL VERTIGO: Films by Morehshin Allahyari

Morehshin Allahyari, She Who Sees The Unknown: Ya’jooj Ma’jooj, 2017-18, 7’14’’, color, sound. Video still. Courtesy of the artist.

Morehshin Allahyari, She Who Sees The Unknown: Aisha Qandisha, 2018, 7’14’’, color, sound. Video still. Courtesy of the artist.

Morehshin Allahyari, She Who Sees The Unknown: Huma, 2016, 6’4’’, color, sound. Video still. Courtesy of the artist.

One Year-Program Horizontal Vertigo 2019 / 2020

Sophia Al-Maria, Beast Type Song, 2019, video, 38’03’’, color, sound. Video still. Courtesy of the artist and Project Native Informant, London.

Meriem Bennani, Party on the CAPS, 2018, Eight-channel video installation, 30’, color, sound. Video still. Courtesy of the artist and C L E A R I N G, New York / Brussels.

Rindon Johnson, Leah and I … , 2019,
35 mm slides. Still. Courtesy of the artist.

Pauline Boudry / Renate Lorenz, I Want, 2015, installation with double HD projection, 16’. Film still. Performance: Sharon Hayes. Film still: Andrea Thal. Courtesy of Ellen de Bruijne Projects and Galerie Marcelle Alix.

Pauline Boudry / Renate Lorenz, To Valerie Solanas and Marilyn Monroe in Recognition of their desperation, 2013, installation with super 16mm film transferred to video, HD, 18’. Performance: Rachel Aggs, Peaches, Catriona Shaw, Verity Susman, Ginger Brooks Taka-hashi, William Wheeler. Film still: Andrea Thal. Courtesy of Ellen de Bruijne Projects and Galerie Marcelle Alix.

A.K. Burns, Negative Space: A Smeary Spot, 2015, four-channel video installation. Videos 1–3: HD, color, six-channel sound, 53’13’’, synchronized loop. Video 4: SD, b/w, silent, 4’ loop. Video still. Courtesy of the artist, Callicoon Fine Arts and Michel Rein Gallery.

A.K. Burns, Negative Space: Living Room, 2017, two-channel HD video installation, color, 36’, synchronized loop. Film still. Photo: Eden Batki. Courtesy of the artist, Callicoon Fine Arts and Michel Rein Gallery.

Colin Self, Siblings (Elation VI), 2018, live performance MoMA PS1, New York. Photo: Maria Barranova. © VG Bild-Kunst, Bonn 2019. Courtesy of the artist.

Architecture JSC Düsseldorf

Installation view, GENERATION LOSS, JSC Düsseldorf, first floor. Photo: Simon Vogel, Cologne.

JSC ON VIEW: Thomas Demand, Beatrice Gibson, Arthur Jafa, Sigalit Landau, Hito Steyerl & Other

Arthur Jafa, Apex, 2013. Installation view, JSC ON VIEW, JSC Düsseldorf. Photo: Simon Vogel, Cologne. Courtesy of the artist and Gavin Brown’s Enterprise, New York / Rome.

From left to right: Sigalit Landau, Barbed Hula, 2000; Basel Abbas & Ruanne Abou-Rahme, The Incidental Insurgents: The Part About The Bandits (Chapter 2), 2012/13; Hito Steyerl, November, 2004, installation view, JSC ON VIEW, JSC Düsseldorf. Photo: Simon Vogel, Cologne.

Left: Thomas Demand, Zaun / Fence, 2004. Right: Thomas Demand, Badezimmer / Bathroom, 1997. Installation view, JSC ON VIEW, JSC Düsseldorf. Photo: Simon Vogel, Cologne, Courtesy of the artist and Sprüth Magers.

Thomas Demand, Bathroom, 1997, C-print, diasec, 160 × 122 cm. © VG Bild-Kunst, Bonn 2019. Courtesy of the artist.

Taryn Simon, RONALD JONES Scene of arrest, South Side, Chicago, Illinois. Served 8 years of a death sentence for Rape and Murder, 2002, C­-print on aluminium, 121,9 × 157,5 cm. Courtesy of the artist and Gagosian Gallery, New York.

Hito Steyerl, November, 2004, video, 25′, color, sound. Video still, © VG Bild-Kunst, Bonn 2019. Courtesy of the artist and KOW, Berlin.

Arthur Jafa, Apex, 2013, video, 8′22″, color, sound. Video still. Courtesy of the artist and Gavin Brown’s Enterprise, New York/Rome

Sigalit Landau, Barbed Hula, 2000, video, 1′48′′, loop, color, sound. Video still. Courtesy of the artist.

Tobias Zielony, Maskirovka, 2017, HD-Video, Stop Motion, 8′46″, color, no sound. Video still. Courtesy of the artist and KOW, Berlin/Madrid.

ACUTE ART AT JSC: Nathalie Djurberg & Hans Berg

Nathalie Djurberg & Hans Berg, It Will End in Stars, 2018, virtual reality. Courtesy of the artist and Acute Art.

Nathalie Djurberg & Hans Berg, It Will End in Stars, 2018, virtual reality. Courtesy of the artist and Acute Art.

Nathalie Djurberg & Hans Berg, It Will End in Stars, 2018, virtual reality. Courtesy of the artist and Acute Art.

Nathalie Djurberg & Hans Berg, It Will End in Stars, 2018, virtual reality. Courtesy of the artist and Acute Art.

Nathalie Djurberg & Hans Berg, It Will End in Stars, 2018, virtual reality. Courtesy of the artist and Acute Art.

HORIZONTAL VERTIGO: Meriem Bennani – Party on the CAPS

Meriem Bennani, Party on the CAPS, 2018, Eight-channel video installation, 30’, color, sound. Installation View, JSC Berlin. Photo: Alwin Lay, Courtesy of the artist and C L E A R I N G, New York / Brussels.

Meriem Bennani, Party on the CAPS, 2018, Eight-channel video installation, 30’, color, sound. Installation View, JSC Berlin. Photo: Alwin Lay, Courtesy of the artist and C L E A R I N G, New York / Brussels.

Meriem Bennani, Party on the CAPS, 2018, Eight-channel video installation, 30’, color, sound. Installation View, JSC Berlin. Photo: Alwin Lay, Courtesy of the artist and C L E A R I N G, New York / Brussels.

Meriem Bennani, Party on the CAPS, 2018, Eight-channel video installation, 30’, color, sound. Installation View, JSC Berlin. Photo: Alwin Lay, Courtesy of the artist and C L E A R I N G, New York / Brussels.

Meriem Bennani, Party on the CAPS, 2018, Eight-channel video installation, 30’, color, sound. Installation View, JSC Berlin. Photo: Alwin Lay, Courtesy of the artist and C L E A R I N G, New York / Brussels.

Meriem Bennani, Party on the CAPS, 2018, Eight-channel video installation, 30’, color, sound. Video still. Courtesy of the artist and C L E A R I N G, New York / Brussels.

Meriem Bennani, Party on the CAPS, 2018, Eight-channel video installation, 30’, color, sound. Video still. Courtesy of the artist and C L E A R I N G, New York / Brussels.

Meriem Bennani, Party on the CAPS, 2018, Eight-channel video installation, 30’, color, sound. Video still. Courtesy of the artist and C L E A R I N G, New York / Brussels.

Meriem Bennani, Party on the CAPS, 2018, Eight-channel video installation, 30’, color, sound. Video still. Courtesy of the artist and C L E A R I N G, New York / Brussels.

Stan Douglas – Splicing Block

Stan Douglas, Hors-champs, 1992, two-channel video installation, 13’20’’, b/w, sound. Installation view (detail), JSC Berlin. Photo: Alwin Lay. Courtesy of the artist, Victoria Miro and David Zwirner.

Stan Douglas, Hors-champs, 1992, two-channel video installation, 13’20’’, b/w, sound. Installation view (detail), JSC Berlin. Photo: Alwin Lay. Courtesy of the artist, Victoria Miro and David Zwirner.

Stan Douglas, Luanda-Kinshasa, 2013, one-channel video installation, 361’ (loop), color, sound. Installation view, JSC Berlin. Photo: Alwin Lay. Courtesy of the artist, Victoria Miro and David Zwirner.

Stan Douglas, Luanda-Kinshasa, 2013, one-channel video installation, 361’ (loop), color, sound. Installation view, JSC Berlin. Photo: Alwin Lay. Courtesy of the artist, Victoria Miro and David Zwirner.

Left: Stan Douglas, Exodus, 1975, 2012. Right: Stan Douglas, Two Friends, 1975. Installation view, JSC Berlin. Photo: Alwin Lay. Courtesy of the artist, Victoria Miro and David Zwirner.

Stan Douglas, Exodus, 1975, 2012, Digital C-print mounted on aluminum: 187.7 x 265.1 cm. Installation view, JSC Berlin. Photo: Alwin Lay. Courtesy of Sammlung Goetz.

Stan Douglas, Two Friends, 1975, 2012, Digital C-print mounted on aluminum: 106.7 x 142.2 cm. Courtesy of the artist, Victoria Miro and David Zwirner.

Stan Douglas, A Luta Continua, 1974, 2012, Digital C-print mounted on aluminum, 120.7 x 181 cm. Courtesy of the artist, Victoria Miro and David Zwirner.

Stan Douglas, Hors-champs, 1992, two-channel video installation, 13’20’’, b/w, sound, dimensions variable. Video still. Courtesy of the artist, Victoria Miro and David Zwirner.

Stan Douglas, Luanda-Kinshasa, 2013, one-channel video installation, 361’ (loop), color, sound, dimensions variable. Video still. Courtesy of the artist, Victoria Miro and David Zwirner.

Stan Douglas, Luanda-Kinshasa, 2013, one-channel video installation, 361’ (loop), color, sound, dimensions variable. Video still. Courtesy of the artist, Victoria Miro and David Zwirner.

Stan Douglas, Luanda-Kinshasa, 2013, one-channel video installation, 361’ (loop), color, sound, dimensions variable. Video still. Courtesy of the artist, Victoria Miro and David Zwirner.

HORIZONTAL VERTIGO: Sophia Al-Maria – Bitch Omega

Sophia Al-Maria, Beast Type Song, 2019, video, 38’03’’, color, sound. Video still. Courtesy of the artist and Project Native Informant, London.

Sophia Al-Maria, Major Motions, 2018, video installation, consisting of VHS, VCR, strobe light, HD video, 38’03’’, color, sound. Video still. Courtesy of the artist and Project Native Informant, London.

Sophia Al-Maria, White Man’s Bible (Revenge Porn), 2018, video installation, 59 magazines, headphones, iPhone. Installation view. Courtesy of the artist, Anna Lena Films and Project Native Informant, London.

Left: Sophia Al-Maria, Rape Gaze, 2014, collage on canvas, 198 x 320 x 4 cm. Right: Torturous Journey, 2014, video installation, consisting of screen, headphones, HD video, 11’, color, sound. Courtesy of the artist and Project Native Informant, London.

HORIZONTAL VERTIGO: Films by Morehshin Allahyari

Morehshin Allahyari, She Who Sees The Unknown: Ya’jooj Ma’jooj, 2017-18, 7’14’’, color, sound. Video still. Courtesy of the artist.

Morehshin Allahyari, She Who Sees The Unknown: Aisha Qandisha, 2018, 7’14’’, color, sound. Video still. Courtesy of the artist.

Morehshin Allahyari, She Who Sees The Unknown: Huma, 2016, 6’4’’, color, sound. Video still. Courtesy of the artist.

One Year-Program Horizontal Vertigo 2019 / 2020

Sophia Al-Maria, Beast Type Song, 2019, video, 38’03’’, color, sound. Video still. Courtesy of the artist and Project Native Informant, London.

Meriem Bennani, Party on the CAPS, 2018, Eight-channel video installation, 30’, color, sound. Video still. Courtesy of the artist and C L E A R I N G, New York / Brussels.

Rindon Johnson, Leah and I … , 2019, 35 mm slides. Still. Courtesy of the artist.

Pauline Boudry / Renate Lorenz, I Want, 2015, installation with double HD projection, 16’. Film still. Performance: Sharon Hayes. Film still: Andrea Thal. Courtesy of Ellen de Bruijne Projects and Galerie Marcelle Alix.

A.K. Burns, Negative Space: A Smeary Spot, 2015, four-channel video installation. Videos 1–3: HD, color, six-channel sound, 53’13’’, synchronized loop. Video 4: SD, b/w, silent, 4’ loop. Video still. Courtesy of the artist, Callicoon Fine Arts and Michel Rein Gallery.

A.K. Burns, Negative Space: Living Room, 2017, two-channel HD video installation, color, 36’, synchronized loop. Film still. Photo: Eden Batki. Courtesy of the artist, Callicoon Fine Arts and Michel Rein Gallery.

Colin Self, Siblings (Elation VI), 2018, live performance MoMA PS1, New York. Photo: Maria Barranova. © VG Bild-Kunst, Bonn 2019. Courtesy of the artist.

Architecture JSC Düsseldorf

Installation view, GENERATION LOSS, JSC Düsseldorf, first floor. Photo: Simon Vogel, Cologne.

JSC Düsseldorf, foyer, first floor. Photo: Şirin Şimşek, Cologne.

JSC Düsseldorf, foyer, first floor. Photo: Şirin Şimşek, Cologne.

JSC Düsseldorf, building (outside). Photo: © Ulrich Schwarz, Berlin.

JSC Düsseldorf, building (outside). Photo: Simon Vogel, Cologne.

JSC Düsseldorf, building (outside). Photo: © Ulrich Schwarz, Berlin.

Architecture JSC Berlin

JSC Berlin, foyer, ground floor. Photo: Robert Hamacher, Berlin.

JSC Berlin, foyer, ground floor. Photo: Robert Hamacher, Berlin.

JSC Berlin, foyer, ground floor. Photo: Robert Hamacher, Berlin.

JSC Berlin, building (outside). Photo: Robert Hamacher, Berlin.

JSC Berlin, foyer, first floor. Photo: Robert Hamacher, Berlin.

Julia Stoschek

Julia Stoschek, Photo: Peter Rigaud.

Julia Stoschek, Photo: Peter Rigaud.

Julia Stoschek, Foto: Peter Rigaud.

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Taryn Simon, RONALD JONES Scene of arrest, South Side, Chicago, Illinois. Served 8 years of a death sentence for Rape and Murder, 2002, C-print on aluminium, 121,9 × 157,5 cm. Courtesy of the artist and Gagosian Gallery, New York.

Rindon Johnson, Leah and I … , 2019,
35 mm slides. Still. Courtesy of the artist.