Carolee Schneemann, Fuses, 1964–67, 16-mm-Film, transferiert auf HD-Video, 29’37“, Farbe, ohne Ton. Courtesy of the Estate of Carolee Schneemann and Electronic Arts Intermix, New York.

Installation view, JSC ON VIEW: LUTZ BACHER, BARBARA HAMMER, CAROLEE SCHNEEMANN, JSC Düsseldorf. Photo: Simon Vogel, Cologne.

Barbara Hammer, Double Strength, 1978, 16-mm-Film, transferred to video, 14’03’’, color, sound. Installation view, JSC ON VIEW: LUTZ BACHER, BARBARA HAMMER, CAROLEE SCHNEEMANN, JSC Düsseldorf. Photo: Simon Vogel, Cologne.

Installation view, JSC ON VIEW: LUTZ BACHER, BARBARA HAMMER, CAROLEE SCHNEEMANN, JSC Düsseldorf. Photo: Simon Vogel, Cologne.

Installation view, JSC ON VIEW: LUTZ BACHER, BARBARA HAMMER, CAROLEE SCHNEEMANN, JSC Düsseldorf. Photo: Simon Vogel, Cologne.

Lutz Bacher, James Dean, 1986/2014, HD video installation (16 pairs of video stills on 2 monitors), loop, b/w, no sound. Courtesy of the Estate of Lutz Bacher and Galerie Buchholz.

Carolee Schneemann, Up to and including her Limits, 1976, Video, 29’, color, sound. Video still. Courtesy of the Estate of Carolee Schneemann and EAI-Electronic Arts Intermix, New York.

Barbara Hammer, Double Strength, 1978, 16mm film transferred to video, 14’03’’, color, sound. Video still. Courtesy of the Estate of Barbara Hammer and KOW, Berlin/Madrid.

Barbara Hammer, X, 1975, 16mm film transferred to video, 7’04’’, color, sound. Video still. Courtesy of the Estate of Barbara Hammer and KOW, Berlin/Madrid.

Barbara Hammer, I Was/I Am, 1973, 16mm film transferred to video, 5’35’’, b/w, sound. Video still. Courtesy of the artist and KOW, Berlin/Madrid.

Installation view, A.K. BURNS, NEGATIVE SPACE, JSC Düsseldorf. Photo: Alwin Lay.

Installation view, A.K. BURNS, NEGATIVE SPACE, JSC Düsseldorf. Photo: Alwin Lay.

Installation view, A.K. BURNS, NEGATIVE SPACE, JSC Düsseldorf. Photo: Alwin Lay.

A.K. Burns, ‚Negative Space Poster‘ for exhibition at the JSC, 2019, digital collage, open edition, dimensions variable. Courtesy of the artist.

A.K. Burns, Leave No Trace (Negative Space 000), 2019, five-channel HD video installation, plastic skull, rubber tires, 31’8’’, color, sound. Video still. Courtesy of the artist, Callicoon Fine Arts and Michel Rein Gallery, Paris/Brussels.

A.K. Burns,Leave No Trace (Negative Space 000), 2019, five-channel HD video installation, plastic skull, rubber tires, 31’8’’, color, sound. Video still. Courtesy of the artist, Callicoon Fine Arts and Michel Rein Gallery, Paris/Brussels.

A.K. Burns, Living Room (Negative Space 00), 2017, two-channel HD video installation, aluminum framing studs, dry wall, gutted couch, LED lights, carpet; Video: 36’, color, sound, loop. Video still. Courtesy of the artist, Callicoon Fine Arts and Michel Rein Gallery, Paris/Brussels.

A.K. Burns, A Smeary Spot (Negative Space 0), 2015, Four-channel video installation, consisting of: HD video 1–3, 53’13’’, color, sound, loop; SD-video 4, 4’, b/w, no sound, loop. Video still. Courtesy of the artist, Callicoon Fine Arts, NY and Michel Rein Gallery, Paris/Brussels.

Installation view, WANGSHUI, JSC Berlin. Photo: Alwin Lay.

Installation view, WANGSHUI, JSC Berlin. Photo: Alwin Lay.

Installation view, WANGSHUI, JSC Berlin. Photo: Alwin Lay.

Installation view, WANGSHUI, JSC Berlin. Photo: Alwin Lay.

Installation view, WANGSHUI, JSC Berlin. Photo: Alwin Lay.

Installation view, WANGSHUI, JSC Berlin. Foto: Alwin Lay.

WangShui, From Its Mouth Came a River of High-End Residential Appliances, 2018. Production still (detail). Courtesy of the artist.

WangShui, From Its Mouth Came a River of High-End Residential Appliances, 2018. Production still (detail). Courtesy of the artist.

WangShui, Sliver, 2019, two-channel video, 2’. Flexible LED mesh, mineral dust. Installation view (detail) The Shed , New York, 2019. Courtesy of the artist.

WangShui, Gardens of Perfect Exposure, 2018, Assorted chromed bath fixtures, live silkworms, audio loop, roof repair fabric, laminated hair, glass gobs, tv, selfie ring lights, plexiglas, earrings, hd camcorders, rehydrated mulberry leaves, silk, magnets. Installation view (detail) SculptureCenter, New York. Courtesy of the artist.

WangShui, Gardens of Perfect Exposure, 2018, Assorted chromed bath fixtures, live silkworms, audio loop, roof repair fabric, laminated hair, glass gobs, tv, selfie ring lights, plexiglas, earrings, hd camcorders, rehydrated mulberry leaves, silk, magnets. Installation view (detail) SculptureCenter, New York. Courtesy of the artist.

WangShui, From its mouth came a river of high-end residential appliances, 2018, single-channel video, 13’. Video still. Courtesy of the artist.

Bjarne Melgaard, My Trip, 2019, virtual reality installation, 15′. Film still. Courtesy of the artist and Acute Art, London.

Bjarne Melgaard, My Trip, 2019, virtual reality installation, 15′. Film still. Courtesy of the artist and Acute Art, London.

Koo Jeong A, AR visualisation of density, 2019. From the series Prerequisites 7. Augmented Reality. Courtesy of Acute Art and the artist

Koo Jeong A, density, 2019, augmented reality. Courtesy: the artist and Acute Art.

Koo Jeong A, Ice Cube, 2019, augmented reality. Courtesy: the artist and Acute Art.

Koo Jeong A, drawing reference for Ki In Sang Bong ( eccentricities reunion ) , 2019. From the series Prerequisites 7. Augmented Reality. Courtesy of Acute Art and the artist

Koo Jeong A, drawing reference for feasibility, 2019. From the series Prerequisites 7. Augmented Reality. Courtesy of Acute Art and the artist

Koo Jeong A, drawing reference for complete answer , 2019. From the series Prerequisites 7. Augmented Reality. Courtesy of Acute Art and the artist

Koo Jeong A, drawing reference for abstruse, 2019. From the series Prerequisites 7. Augmented Reality. Courtesy of Acute Art and the artist

Koo Jeong A, drawing reference for implosion, 2019. From the series Prerequisites 7. Augmented Reality. Courtesy of Acute Art and the artist

Koo Jeong A, drawing reference for one should stay away from anything worldly, 2019. From the series Prerequisites 7. Augmented Reality. Courtesy of Acute Art and the artist

Bjarne Melgaard, My Trip, 2019, virtual reality installation, 15′. Film still. Courtesy of the artist and Acute Art, London.

Sky Hoping, Dislocation Blues, 2017, video, 16’57’’, color, sound. Video still. © Sky Hopinka. Courtesy of the artist and Video Data Bank at the School of the Art Institute of Chicago.

Sky Hoping, Fainting Spells, 2018, video, 10’45’’, color, sound. Video still. © Sky Hopinka. Courtesy of the artist and Video Data Bank at the School of the Art Institute of Chicago.

Rindon Johnson, Leah and I … , 2019,
35 mm slides. Still. Courtesy of the artist.

Pauline Boudry / Renate Lorenz, I Want, 2015, installation with double HD projection, 16’. Film still. Performance: Sharon Hayes. Film still: Andrea Thal. Courtesy of Ellen de Bruijne Projects and Galerie Marcelle Alix.

Pauline Boudry / Renate Lorenz, To Valerie Solanas and Marilyn Monroe in Recognition of their desperation, 2013, installation with super 16mm film transferred to video, HD, 18’. Performance: Rachel Aggs, Peaches, Catriona Shaw, Verity Susman, Ginger Brooks Taka-hashi, William Wheeler. Film still: Andrea Thal. Courtesy of Ellen de Bruijne Projects and Galerie Marcelle Alix.

A.K. Burns, Negative Space: A Smeary Spot, 2015, four-channel video installation. Videos 1–3: HD, color, six-channel sound, 53’13’’, synchronized loop. Video 4: SD, b/w, silent, 4’ loop. Video still. Courtesy of the artist, Callicoon Fine Arts and Michel Rein Gallery. 

A.K. Burns, Negative Space: Living Room, 2017, two-channel HD video installation, color, 36’, synchronized loop. Film still. Photo: Eden Batki. Courtesy of the artist, Callicoon Fine Arts and Michel Rein Gallery.

Colin Self, Siblings (Elation VI), 2018, live performance MoMA PS1, New York. Photo: Maria Barranova. © VG Bild-Kunst, Bonn 2019. Courtesy of the artist.

Meriem Bennani, Party on the caps, 2018, eight-channel video installation, mapped digital video installation, 30’. Installation view, BIENNALE DE L’IMAGE EN MOUVEMENT 2018, Centre d’Art Contemporain Genève. Photo: Mathilda Olmi. Courtesy of the artist.

Meriem Bennani, Party on the caps, 2018, eight-channel projection, mapped digital video installation, 30’. Installation view, BIENNALE DE L’IMAGE EN MOUVEMENT 2018, Centre d’Art Contemporain Genève. Photo: Mathilda Olmi. Courtesy of the artist.

Sophia Al-Maria, Major Motions, 2018, mixed media installation, VHS, VCR, 13’’, infinite loopstrobe light, unlimited VHS film, dimensions variable. Installation view, ILYSM, Project Native Informant, London. Courtesy of the artist, Anna Lena Films and Project Native Informant, London.

Sophia Al-Maria, Mirror Cookie, 2018, HD video installation, 7’35’’, loop, dimensions variable. Installation view, ILYSM, Project Native Informant, London. Courtesy of the artist, Anna Lena Films and Project Native Informant, London

Rindon Johnson, I First you, (11/11), 2018, HD video, 5’28’’, color, sound. Installation view, RINDON JOHNSON, CIRCUMSCRIBE, JSC Düsseldorf. Photo: Alwin Lay.

Installation view, RINDON JOHNSON, CIRCUMSCRIBE, JSC Düsseldorf. Photo: Alwin Lay.

Installation view, RINDON JOHNSON, CIRCUMSCRIBE, JSC Düsseldorf. Photo: Alwin Lay.

Installation view, RINDON JOHNSON, CIRCUMSCRIBE, JSC Düsseldorf. Photo: Alwin Lay.

Rindon Johnson, Among other things, 2019, single channel HD video, 26’34’’, color, sound. Dimensions variable. Soundtrack by Zeelie Brown. Installation view, RINDON JOHNSON, CIRCUMSCRIBE, JSC Düsseldorf. Photo: Alwin Lay.

Rindon Johnson, Diana Said: / If you stop me / from cutting / your hair, / there is a sense / in which / you are / interfering. / * / But, since you are entitled / to determine / whether I cut your hair / or not, you do not / wrong me. / * / I make your trip to the store a waste. / * / I buy the last quart of milk /before you / get there, 2019, virtual reality installation, 7’15’’. Animation by Pariah Interactive. Installation view, RINDON JOHNSON, CIRCUMSCRIBE, JSC Düsseldorf. Photo: Alwin Lay.

Rindon Johnson, Diana Said: / If you stop me / from cutting / your hair, / there is a sense / in which / you are / interfering. / * / But, since you are entitled / to determine / whether I cut your hair / or not, you do not / wrong me. / * / I make your trip to the store a waste. / * / I buy the last quart of milk /before you / get there, 2019, virtual reality installation, 7’15’’. Animation by Pariah Interactive. Courtesy of the artist.

Rindon Johnson, Among other things, 2019, single channel HD video, 26’34’’, color, sound. Dimensions variable. Video still. Courtesy of the artist. Soundtrack by Zeelie Brown.

Pauline Boudry / Renate Lorenz, Telepathic Improvisation, 2017, single-channel HD video installation, 20’. Installation view, ONGOING EXPERIMENTS WITH STRANGENESS, JSC Berlin. Photo: Alwin Lay.

Installation view, Pauline Boudry / Renate Lorenz, ONGOING EXPERIMENTS WITH STRANGENESS, JSC Berlin. Photo: Alwin Lay.

Pauline Boudry / Renate Lorenz, Silent, 2016, single-channel HD video installation, 7’, color, sound. Performance: Aérea Negrot. Installation view, ONGOING EXPERIMENTS WITH STRANGENESS, JSC Berlin. Photo: Alwin Lay.

Pauline Boudry / Renate Lorenz, I WANT, 2015, two-channel HD video installation, 16’, color, sound. Performance: Sharon Hayes. Installation view, ONGOING EXPERIMENTS WITH STRANGENESS, JSC Berlin. Photo: Alwin Lay.

Installation view, Pauline Boudry / Renate Lorenz, ONGOING EXPERIMENTS WITH STRANGENESS, JSC Berlin. Photo: AlwinLay.

Pauline Boudry / Renate Lorenz, To Valerie Solanas and Marilyn Monroe in Recognition of their desperation, 2013, single-channel HD video installation, super 16 mm film transferred to HD video, 18’. Performance: Rachel Aggs, Peaches, Catriona Shaw, Verity Susman, Ginger Brooks Taka-hashi, William Wheeler. Installation view, ONGOING EXPERIMENTS WITH STRANGENESS, JSC Berlin. Photo: Alwin Lay. Courtesy of the artists and Ellen de Bruijne Projects, Amsterdam and Marcelle Alix, Paris.

Installation view, Pauline Boudry / Renate Lorenz, ONGOING EXPERIMENTS WITH STRANGENESS, JSC Berlin. Photo: Alwin Lay.

Pauline Boudry / Renate Lorenz, Telepathic Improvisation, 2017, single-channel HD video installation, 20’. Video still. Courtesy of Ellen de Bruijne Projects and Marcelle Alix, Paris.

Installation view, Pauline Boudry / Renate Lorenz, ONGOING EXPERIMENTS WITH STRANGENESS, JSC Berlin. Photo: Alwin Lay.

Pauline Boudry / Renate Lorenz, Telepathic Improvisation, 2017, single-channel HD video installation, 20’. Video still. Courtesy of Ellen de Bruijne Projects and Marcelle Alix, Paris.

Chelsea Knight with Shane Aslan Selzer, Lonely Planet, 2018, single-channel video, 15’30”. Video still. Courtesy of the artists.

Installation view, GENERATION LOSS, JSC Düsseldorf, first floor. Photo: Simon Vogel, Cologne.

JSC Düsseldorf, foyer, first floor. Photo: Şirin Şimşek, Cologne.

JSC Düsseldorf, foyer, first floor. Photo: Şirin Şimşek, Cologne.

JSC Düsseldorf, building (outside). Photo: © Ulrich Schwarz, Berlin.

JSC Düsseldorf, building (outside). Photo: Simon Vogel, Cologne.

JSC Düsseldorf, building (outside). Photo: © Ulrich Schwarz, Berlin.

JSC Berlin, foyer, ground floor. Photo: Robert Hamacher, Berlin.

JSC Berlin, foyer, ground floor. Photo: Robert Hamacher, Berlin.

JSC Berlin, foyer, ground floor. Photo: Robert Hamacher, Berlin.

JSC Berlin, building (outside). Photo: Robert Hamacher, Berlin.

JSC Berlin, foyer, first floor. Photo: Robert Hamacher, Berlin.

Julia Stoschek, Photo: Peter Rigaud.

Julia Stoschek, Photo: Peter Rigaud.

Julia Stoschek, Foto: Peter Rigaud.