Ilit Azoulay, Object #1, 2015, sound file, 3′40″. Courtesy of the artist and Daata, London.

Ilit Azoulay, Object #2, 2015, sound file, 3′12″. Courtesy of the artist and Daata, London.

Ilit Azoulay, Object #3, 2015, sound file, 2′55″. Courtesy of the artist and Daata, London.

ILIT AZOULAY, OBJECT #4, 2015, SOUND FILE, 3′40″. COURTESY OF THE ARTIST AND DAATA, LONDON.

ILIT AZOULAY, OBJECT #5, 2015, SOUND FILE, 3′40″. COURTESY OF THE ARTIST AND DAATA, LONDON.

ILIT AZOULAY, OBJECT #6, 2015, SOUND FILE, 3′40″. COURTESY OF THE ARTIST AND DAATA, LONDON.

HELEN BENIGSON, A RUDE GIRL ARSE GLISTENS LIKE SILICONE. CLUCK, CLUCK, CLUCK 1, 2015, HD VIDEO, 1′21″, COLOR, SOUND. COURTESY OF THE ARTIST AND DAATA, LONDON.

HELEN BENIGSON, A RUDE GIRL ARSE GLISTENS LIKE SILICONE. CLUCK, CLUCK, CLUCK 2, 2015, HD VIDEO, 1′22″, COLOR, SOUND. COURTESY OF THE ARTIST AND DAATA, LONDON.

HELEN BENIGSON, A RUDE GIRL ARSE GLISTENS LIKE SILICONE. CLUCK, CLUCK, CLUCK 3, 2015, HD VIDEO, 50″, COLOR, SOUND. COURTESY OF THE ARTIST AND DAATA, LONDON.

HELEN BENIGSON, A RUDE GIRL ARSE GLISTENS LIKE SILICONE. CLUCK, CLUCK, CLUCK 4, 2015, HD VIDEO, 1′20″, COLOR, SOUND. COURTESY OF THE ARTIST AND DAATA, LONDON.

HELEN BENIGSON, A RUDE GIRL ARSE GLISTENS LIKE SILICONE. CLUCK, CLUCK, CLUCK 5, 2015, HD VIDEO, 48″, COLOR, SOUND. COURTESY OF THE ARTIST AND DAATA, LONDON.

HELEN BENIGSON, A RUDE GIRL ARSE GLISTENS LIKE SILICONE. CLUCK, CLUCK, CLUCK 6, 2015, HD VIDEO, 1′18″, COLOR, SOUND. COURTESY OF THE ARTIST AND DAATA, LONDON.

DAVID BLANDY, ICE, 2015, HD VIDEO, 1′10″, COLOR, SOUND. COURTESY OF THE ARTIST AND DAATA, LONDON.

DAVID BLANDY, MIST, 2015, HD VIDEO, 1′04″, COLOR, SOUND. COURTESY OF THE ARTIST AND DAATA, LONDON.

DAVID BLANDY, MOON, 2015, HD VIDEO, 1′06″, COLOR, SOUND. COURTESY OF THE ARTIST AND DAATA, LONDON.

DAVID BLANDY, RUIN, 2015, HD VIDEO, 1′31′, COLOR, SOUND. COURTESY OF THE ARTIST AND DAATA, LONDON.

DAVID BLANDY, SEA, 2015, HD VIDEO, 1′36″, COLOR, SOUND. COURTESY OF THE ARTIST AND DAATA, LONDON.

DAVID BLANDY, SUNSET, 2015, HD VIDEO, 1′08″, COLOR, SOUND. COURTESY OF THE ARTIST AND DAATA, LONDON.

JACKY CONNOLLY, ANHEDONIA (FULL LENGTH FEATURE), 2017, HD-VIDEO, 18′, COLOR, SOUND. COURTESY OF THE ARTIST AND DAATA, LONDON.

MATT COPSON, ANARCHIST, 2015, SOUND FILE, 1′56″. COURTESY OF THE ARTIST AND DAATA, LONDON.

MATT COPSON, BOOTY CALL, 2015, SOUND FILE, 2′21″. COURTESY OF THE ARTIST AND DAATA, LONDON.

MATT COPSON, BROADCAST, 2015, SOUND FILE, 2′57″. COURTESY OF THE ARTIST AND DAATA, LONDON.

MATT COPSON, INHERITED DEFICIT, 2015, SOUND FILE, 1′44″. COURTESY OF THE ARTIST AND DAATA, LONDON.

MATT COPSON, LETTER FROM WAR, 2015, SOUND FILE, 2′17″. COURTESY OF THE ARTIST AND DAATA, LONDON.

MATT COPSON, OH-REG-AH-NO, 2015, SOUND FILE, 1′30″. COURTESY OF THE ARTIST AND DAATA, LONDON.

TRACEY EMIN, FEEL YOUR TOUCH, 2016, SOUND FILE, 20″. © VG BILD-KUNST, BONN 2021. COURTESY OF THE ARTIST AND DAATA, LONDON.

TRACEY EMIN, I CAN`T LOVE ANYMORE, 2016, SOUND FILE, 35″. © VG BILD-KUNST, BONN 2021. COURTESY OF THE ARTIST AND DAATA, LONDON.

TRACEY EMIN, I LAY HERE, 2016, SOUND FILE, 17″. © VG BILD-KUNST, BONN 2021. COURTESY OF THE ARTIST AND DAATA, LONDON.

TRACEY EMIN, JUST LET ME LOVE YOU, 2016, SOUND FILE, 17″. © VG BILD-KUNST, BONN 2021. COURTESY OF THE ARTIST AND DAATA, LONDON.

TRACEY EMIN, SHE LAY THERE, 2016, SOUND FILE, 37″. © VG BILD-KUNST, BONN 2021. COURTESY OF THE ARTIST AND DAATA, LONDON.

TRACEY EMIN, YOU MUST HAVE HOPE, 2016, SOUND FILE, 20″. © VG BILD-KUNST, BONN 2021. COURTESY OF THE ARTIST AND DAATA, LONDON.

ED FORNIELES, BATHING, 2015, HD VIDEO, 3′04″, COLOR, SOUND. COURTESY OF THE ARTIST AND DAATA, LONDON.

ED FORNIELES, CLIMBING, 2015, HD VIDEO, 3′06″, COLOR, SOUND. COURTESY OF THE ARTIST AND DAATA, LONDON.

ED FORNIELES, FALLING, 2015, HD VIDEO, 3′03″, COLOR, SOUND. COURTESY OF THE ARTIST AND DAATA, LONDON.

ED FORNIELES, SITTING, 2015, HD VIDEO, 3′04″, COLOR, SOUND. COURTESY OF THE ARTIST AND DAATA, LONDON.

ED FORNIELES, SLEEPING, 2015, HD VIDEO, 3′04″, COLOR, SOUND. COURTESY OF THE ARTIST AND DAATA, LONDON.

ED FORNIELES, SWIMMING, 2015, HD VIDEO, 3′07″, COLOR, SOUND. COURTESY OF THE ARTIST AND DAATA, LONDON.

RINDON JOHNSON, I FIRST YOU (11/11), 2018, HD VIDEO, 5′28″, COLOR, SOUND. COURTESY OF THE ARTIST AND DAATA, LONDON. SOUND BY MILO MCBRIDE.

MARTTI KALLIALA & DANIEL KELLER, EXITSCAPE 1, 2015, HD VIDEO, 3′02″, COLOR, SOUND. COURTESY OF THE ARTISTS AND DAATA, LONDON.

MARTTI KALLIALA & DANIEL KELLER, EXITSCAPE 2, 2015, HD VIDEO, 3′08″, COLOR, SOUND. COURTESY OF THE ARTISTS AND DAATA, LONDON.

MARTTI KALLIALA & DANIEL KELLER, EXITSCAPE 3, 2015, HD VIDEO, 3′19″, COLOR, SOUND. COURTESY OF THE ARTISTS AND DAATA, LONDON.

MARTTI KALLIALA & DANIEL KELLER, EXITSCAPE 4, 2015, HD VIDEO, 3′24″, COLOR, SOUND. COURTESY OF THE ARTISTS AND DAATA, LONDON.

MARTTI KALLIALA & DANIEL KELLER, EXITSCAPE 5, 2015, HD VIDEO, 3′19″, COLOR, SOUND. COURTESY OF THE ARTISTS AND DAATA, LONDON.

MARTTI KALLIALA & DANIEL KELLER, EXITSCAPE 6, 2015, HD VIDEO, 2′51″, COLOR, SOUND. COURTESY OF THE ARTISTS AND DAATA, LONDON.

LINA LAPELYTĖ, HUNKY BLUFF ACT 1, 2015, SOUND FILE, 1′25″. COURTESY OF THE ARTIST AND DAATA, LONDON.

LINA LAPELYTĖ, HUNKY BLUFF ACT 2, 2015, SOUND FILE, 2′57″. COURTESY OF THE ARTIST AND DAATA, LONDON.

LINA LAPELYTĖ, HUNKY BLUFF ACT 3, 2015, SOUND FILE, 2′07″. COURTESY OF THE ARTIST AND DAATA, LONDON.

LINA LAPELYTĖ, HUNKY BLUFF ACT 4, 2015, SOUND FILE, 3′. COURTESY OF THE ARTIST AND DAATA, LONDON.

LINA LAPELYTĖ, HUNKY BLUFF ACT 5, 2015, SOUND FILE 2′41″. COURTESY OF THE ARTIST AND DAATA, LONDON.

LINA LAPELYTĖ, HUNKY BLUFF ACT 6, 2015, SOUND FILE, 1′41″. COURTESY OF THE ARTIST AND DAATA, LONDON.

LEO GABIN, AIN’T GON DO IT, 2015, HD VIDEO, 24″, COLOR, SOUND. COURTESY OF THE ARTISTS AND DAATA, LONDON.

LEO GABIN, ALIENS, 2015, Sound FILE, 1′55″. COURTESY OF THE ARTISTS AND DAATA, LONDON.

LEO GABIN, AWESOME, 2015, SOUND FILE, 50″″. COURTESY OF THE ARTISTS AND DAATA, LONDON.

LEO GABIN, BREAK UP, 2015, SOUND FILE, 2′53″. COURTESY OF THE ARTISTS AND DAATA, LONDON.

LEO GABIN, DATE YOURSELF, 2015, HD VIDEO, 2′10″, COLOR, SOUND. COURTESY OF THE ARTISTS AND DAATA, LONDON.

LEO GABIN, FAST LOST BY HO HO CLICK, 2015, HD VIDEO, 1′, COLOR, SOUND. COURTESY OF THE ARTISTS AND DAATA, LONDON.

LEO GABIN, GIRLHOOD, 2015, HD VIDEO, 1′58″, COLOR, SOUND. COURTESY OF THE ARTISTS AND DAATA, LONDON.

LEO GABIN, LIPS, 2015, SOUND FILE, 1′15″. COURTESY OF THE ARTISTS AND DAATA, LONDON.

LEO GABIN, SURFER HO REMIX, 2015, SOUND FILE, 1′03″. COURTESY OF THE ARTISTS AND DAATA, LONDON.

LEO GABIN, THE CONCEPT, 2015, HD VIDEO, 1′13″, COLOR, SOUND. COURTESY OF THE ARTISTS AND DAATA, LONDON.

LEO GABIN, THE HEART WANTS, 2015, SOUND FILE, 2′55″. COURTESY OF THE ARTISTS AND DAATA, LONDON.

LEO GABIN, WRITE YOUR NAME, 2015, HD VIDEO, 1′51″, COLOR, SOUND. COURTESY OF THE ARTISTS AND DAATA, LONDON.

RACHEL MACLEAN, LET IT GO – PART 1, 2015, HD VIDEO, 3′03″, COLOR, SOUND. COURTESY OF THE ARTIST AND DAATA, LONDON.

RACHEL MACLEAN, LET IT GO – PART 2, 2015, HD VIDEO, 3′03″, COLOR, SOUND. COURTESY OF THE ARTIST AND DAATA, LONDON.

RACHEL MACLEAN, LET IT GO – PART 3, 2015, HD VIDEO, 3′03″, COLOR, SOUND. COURTESY OF THE ARTIST AND DAATA, LONDON.

RACHEL MACLEAN, LET IT GO – PART 4, 2015, HD VIDEO, 3′03″, COLOR, SOUND. COURTESY OF THE ARTIST AND DAATA, LONDON.

RACHEL MACLEAN, LET IT GO – PART 5, 2015, HD VIDEO, 3′03″, COLOR, SOUND. COURTESY OF THE ARTIST AND DAATA, LONDON.

RACHEL MACLEAN, LET IT GO – PART 6, 2015, HD VIDEO, 3′03″, COLOR, SOUND. COURTESY OF THE ARTIST AND DAATA, LONDON.

FLORIAN MEISENBERG, HIHIHIHIHIHIHIHIHIHIHIH, 2015, HD VIDEO, 3′18″, COLOR, SOUND. COURTESY OF THE ARTIST AND DAATA, LONDON.

FLORIAN MEISENBERG, RGHWORI, 2015, HD VIDEO, 2′56″, COLOR, SOUND. COURTESY OF THE ARTIST AND DAATA, LONDON.

FLORIAN MEISENBERG, SOMEWHERE_SIDEWAYS, 2015, HD VIDEO, 2′22″, COLOR, SOUND. COURTESY OF THE ARTIST AND DAATA, LONDON.

FLORIAN MEISENBERG, THE_ANCIETY_OF_INFLUENCE, 2015, HD VIDEO, 4′21″, COLOR, SOUND. COURTESY OF THE ARTIST AND DAATA, LONDON.

FLORIAN MEISENBERG, THE_TACIT_ONE, 2015, HD VIDEO, 3′13″, COLOR, SOUND. COURTESY OF THE ARTIST AND DAATA, LONDON.

FLORIAN MEISENBERG, TOWARDS_A_NEW_ARCHITECTURE, 2015, HD VIDEO, 3′22″, COLOR, SOUND. COURTESY OF THE ARTIST AND DAATA, LONDON.

TAKESHI MURATA, OM MAKING IT RAIN, 2015, HD VIDEO, 15″, COLOR, SOUND. COURTESY OF THE ARTIST AND DAATA, LONDON.

TAKESHI MURATA, OM PASSENGER, 2015, HD VIDEO, 43″, COLOR, SOUND. COURTESY OF THE ARTIST AND DAATA, LONDON.

TAKESHI MURATA, PLANT WHISPERER, 2015, HD VIDEO, 25″, COLOR, SOUND. COURTESY OF THE ARTIST AND DAATA, LONDON.

TAKESHI MURATA, PUMPJACK POPEYE, 2015, HD VIDEO, 43″, COLOR, SOUND. COURTESY OF THE ARTIST AND DAATA, LONDON.

TAKESHI MURATA, TENNIS, 2015, HD VIDEO, 33″, COLOR, SOUND. COURTESY OF THE ARTIST AND DAATA, LONDON.

TAKESHI MURATA, WITCH RISES, 2015, HD VIDEO, 34″, COLOR, SOUND. COURTESY OF THE ARTIST AND DAATA, LONDON.

HANNAH PERRY, AAHHHHHH, 2015, HD VIDEO, 1′18″, COLOR, SOUND. COURTESY OF THE ARTIST AND DAATA, LONDON.

HANNAH PERRY, KEEP THE PEACE, 2015, SOUND FILE, 1′21″. COURTESY OF THE ARTIST AND DAATA, LONDON.

HANNAH PERRY, LET GO BEAT, 2015, SOUND FILE, 2′26″. COURTESY OF THE ARTIST AND DAATA, LONDON.

HANNAH PERRY, PRINCESS & PRINCESSES, 2015, SOUND FILE, 1′38″. COURTESY OF THE ARTIST AND DAATA, LONDON.

HANNAH PERRY, SICK OFF SMOKE, 2015, SOUND FILE, 2′35″. COURTESY OF THE ARTIST AND DAATA, LONDON.

HANNAH PERRY, SMOKE, 2015, SOUND FILE, 2′38″. COURTESY OF THE ARTIST AND DAATA, LONDON.

HANNAH PERRY, THE WORSE YOU FEEL THE BETTER I LOOK, 2015, VIDEO, 1′18″, COLOR, SOUND. COURTESY OF THE ARTIST AND DAATA, LONDON.

HANNAH PERRY, TO SAY YOU FEEL SOMETHING, 2015, VIDEO, 1′15″, COLOR, SOUND. COURTESY OF THE ARTIST AND DAATA, LONDON.

HANNAH PERRY, TOO LOUD AND TOO WAVY, 2015, SOUND FILE, 2′41″. COURTESY OF THE ARTIST AND DAATA, LONDON.

HANNAH PERRY, USELESS, 2015, VIDEO, 2′09″, COLOR, SOUND. COURTESY OF THE ARTIST AND DAATA, LONDON.

HANNAH PERRY, WAITING HERE, 2015, VIDEO, 3′44″, COLOR, SOUND. COURTESY OF THE ARTIST AND DAATA, LONDON.

HANNAH PERRY, WHAT ARE YOU THINKING ABOUT, 2015, VIDEO, 1′34″, COLOR, SOUND. COURTESY OF THE ARTIST AND DAATA, LONDON.

JON RAFMAN, OH THE HUMANITY, 2015, HD VIDEO, 3′02″, COLOR, SOUND. COURTESY OF THE ARTIST AND DAATA, LONDON.

CHARLES RICHARDSON, 27TH MARCH, 2015, HD VIDEO, 3′08″, COLOR, SOUND. COURTESY OF THE ARTIST AND DAATA, LONDON.

CHARLES RICHARDSON, CARRAMESH, 2015, HD VIDEO, 3′08″, COLOR, SOUND. COURTESY OF THE ARTIST AND DAATA, LONDON.

CHARLES RICHARDSON, EXTRA, 2015, HD VIDEO, 3′11″, COLOR, SOUND. COURTESY OF THE ARTIST AND DAATA, LONDON.

CHARLES RICHARDSON, FRIEND, 2015, HD VIDEO, 3′11″, COLOR, SOUND. COURTESY OF THE ARTIST AND DAATA, LONDON.

CHARLES RICHARDSON, NEEDLES, 2015, HD VIDEO, 3′08″, COLOR, SOUND. COURTESY OF THE ARTIST AND DAATA, LONDON.

CHARLES RICHARDSON, VANISH, 2015, HD VIDEO, 3′08″, COLOR, SOUND. COURTESY OF THE ARTIST AND DAATA, LONDON.

JACOLBY SATTERWHITE, 1-8. EN PLEIN AIR ABSTRACTION (FULL LENGTH FEATURE), 2018, HD VIDEO, 8′18′′, COLOR, SOUND. COURTESY OF THE ARTIST AND DAATA, LONDON.

STEPHEN VITIELLO, IN THE WOODS, 2015, SOUND FILE, 3′01″. COURTESY OF THE ARTIST AND DAATA, LONDON.

STEPHEN VITIELLO, RATNER´S STAR, 2015, SOUND FILE, 3′02″. COURTESY OF THE ARTIST AND DAATA, LONDON.

STEPHEN VITIELLO, STARS IN MY POCKET LIKE GRAINS OF SAND,  2015, SOUND FILE, 3′02″. COURTESY OF THE ARTIST AND DAATA, LONDON.

STEPHEN VITIELLO, THE BONE CLOCKS, 2015, SOUND FILE, 2′56″. COURTESY OF THE ARTIST AND DAATA, LONDON.

STEPHEN VITIELLO, THE WAVES, 2015, SOUND FILE, 3′01″. COURTESY OF THE ARTIST AND DAATA, LONDON.

STEPHEN VITIELLO, THE WRATH OF ANGELS, 2015, SOUND FILE, 3′. COURTESY OF THE ARTIST AND DAATA, LONDON.

CHLOE WISE, DO YOU REALLY THINK HE FINGERED HER, 2015, HD VIDEO, 1′03″, COLOR, SOUND. © VG BILD-KUNST, BONN 2021. COURTESY OF THE ARTIST AND DAATA, LONDON.

CHLOE WISE, WE’VE BEEN DRINKING SINCE NOON, 2015, HD VIDEO, 2′09″, COLOR, SOUND. © VG BILD-KUNST, BONN 2021. COURTESY OF THE ARTIST AND DAATA, LONDON.

CHLOE WISE, SHE’S SO TALENTED, 2015, HD VIDEO, 1′06″, COLOR, SOUND. © VG BILD-KUNST, BONN 2021. COURTESY OF THE ARTIST AND DAATA, LONDON.

CHLOE WISE, SHOULD I ADD AN EMOJI, 2015, HD VIDEO, 1′03″, COLOR, SOUND. © VG BILD-KUNST, BONN 2021. COURTESY OF THE ARTIST AND DAATA, LONDON.

CHLOE WISE, THE HOTEL GAVE US WINE, 2015, HD VIDEO, 57″, COLOR, SOUND. © VG BILD-KUNST, BONN 2021. COURTESY OF THE ARTIST AND DAATA LONDON.

CHLOE WISE, WE HAD A TRAUMATIC THREEWAY, 2015, HD VIDEO, 1′03″, COLOR, SOUND. © VG BILD-KUNST, BONN 2021. COURTESY OF THE ARTIST AND DAATA, LONDON.

JSC ON VIEW: BASEL ABBAS & RUANNE ABOU-RAHME, THOMAS DEMAND, BEATRICE GIBSON, ARTHUR JAFA, SIGALIT LANDAU, ADAM MCEWEN, COLIN MONTGOMERY, TARYN SIMON, HITO STEYERL, TOBIAS ZIELONY
WORKS FROM THE JULIA STOSCHEK COLLECTION
JSC DÜSSELDORF, 9 FEBRUARY – 6 DECEMBER 2020

SOPHIA AL-MARIA, BITCH OMEGA, HORIZONTAL VERTIGO, JSC DÜSSELDORF, 8 MARCH – 6 DECEMBER 2020

MERIEM BENNANI, PARTY ON THE CAPS, HORIZONTAL VERTIGO, JSC BERLIN, 25 JANUARY – 29 NOVEMBER 2020

STAN DOUGLAS / SPLICING BLOCK, JSC BERLIN, 1 NOVEMBER 2019 – 29 MARCH 2020

WANGSHUI, HORIZONTAL VERTIGO, JSC BERLIN, 12 SEPTEMBER – 15 DECEMBER 2019

A.K. BURNS, NEGATIVE SPACE, HORIZONTAL VERTIGO, JSC DÜSSELDORF, 6 SEPTEMBER 2019 – 2 FEBRUARY 2020

JSC ON VIEW: LUTZ BACHER, BARBARA HAMMER, CAROLEE SCHNEEMANN

WORKS FROM THE JULIA STOSCHEK COLLECTION

JSC DÜSSELDORF, 21 JULY – 22 DECEMBER 2019

PAULINE BOUDRY / RENATE LORENZ, ONGOING EXPERIMENTS WITH STRANGENESS, HORIZONTAL VERTIGO, JSC BERLIN, 26 APRIL – 28 JULY 2019

RINDON JOHNSON CIRCUMSCRIBE, HORIZONTAL VERTIGO, JSC DÜSSELDORF, 31 MARCH – 28 JULY 2019

NEW METALLURGISTS, JSC DÜSSELDORF, 7 OCTOBER 2018 – 28 APRIL 2019

TIME KILLS (O TEMPO MATA), SESC AVENIDA PAULISTA, SÃO PAULO, 21 MARCH – 16 JUNE 2019

IAN CHENG – EMISSARIES, JSC BERLIN, 27 APRIL – 1 JULY 2018

ARTHUR JAFA: A SERIES OF UTTERLY IMPROBABLE, YET EXTRAORDINARY RENDITIONS, JSC BERLIN, 11 FEBRUARY – 16 DECEMBER 2018

GENERATION LOSS – 10 YEARS JULIA STOSCHEK COLLECTION, JSC DÜSSELDORF, 10 JUNE 2017 – 9 SEPTEMBER 2018

WELT AM DRAHT, JSC BERLIN, 2 JUNE – 13 NOVEMBER 2016

NUMBER ELEVEN: CYPRIEN GAILLARD, JSC DÜSSELDORF, 26 SEPTEMBER 2015 – 31 JULY 2016

NUMBER NINE: ELIZABETH PRICE, JSC DÜSSELDORF, 6 SEPTEMBER 2014 – 1 FEBRUARY 2015

NUMBER EIGHT: STURTEVANT, JSC DÜSSELDORF, 5 APRIL – 10 AUGUST 2014

NUMBER SIX: FLAMING CREATURES, JSC DÜSSELDORF, 8 SEPTEMBER 2012 – 29 JUNE 2013

NUMBER FIVE: CITIES OF GOLD AND MIRRORS, JSC DÜSSELDORF, 2 JULY 2011 – 30 JUNE 2012

NUMBER FOUR: DEREK JARMAN – SUPER8, JSC DÜSSELDORF, 11 SEPTEMBER 2010 – 26 FEBRUARY 2011

COLIN SELF, SUBTEXT, HORIZONTAL VERTIGO, JSC BERLIN, 31 MAY – 1 JUNE 2019

APEX VARIATIONS, A PERFORMANCE BY JASON MORAN TO ARTHUR JAFA’S APEX, JSC BERLIN, 16 DECEMBER 2018

ALLORA & CALZADILLA, STOP, REPAIR, PREPARE, ZKM, KARLSRUHE, 15 MARCH 2014

JOHANNES PAUL RAETHER AT VENUS & APOLL, DÜSSELDORF, 24 MARCH 2012

JULIA STOSCHEK TALKS ABOUT FROM ITS MOUTH CAME A RIVER OF HIGH-END RESIDENTIAL APPLIANCES (2018) VON WANGSHUI

JULIA STOSCHEK TALKS ABOUT PARALYZED (2003) VON KLARA LIDÉN

JULIA STOSCHEK TALKS ABOUT EVIAN DISEASE (2012) VON HELEN MARTEN

JULIA STOSCHEK TALKS ABOUT NEVER SLEEP WITH A STRAWBERRY IN YOUR MOUTH (2010) BY ANDRO WEKUA

JULIA STOSCHEK TALKS ABOUT IT’S THE MOTHER (2008) BY NATHALIE DJURBERG & HANS BERG

JULIA STOSCHEK TALKS ABOUT ERYSICHTHON (2015) BY JON RAFMAN

JULIA STOSCHEK TALKS ABOUT LES RUISSELLEMENTS DU DIABLE (2008) BY KEREN CYTTER

JULIA STOSCHEK TALKS ABOUT SOMETHING TO LOVE (2005) BY JESPER JUST

JULIA STOSCHEK TALKS ABOUT THE INCIDENTAL INSURGENTS: THE PART ABOUT THE BANDITS (CHAPTER 2) (2012/13) BY BASEL ABBAS & RUANNE ABOU-RAHME

JULIA STOSCHEK TALKS ABOUT RMB CITY – A SECOND LIFE CITY PLANNING BY CHINA TRACY (2007) BY CAO FEI

JULIA STOSCHEK TALKS ABOUT X (1975) BY BARBARA HAMMER

JULIA STOSCHEK TALKS ABOUT DIE JAGD (1992/97) BY CHRISTIAN JANKOWSKI

JULIA STOSCHEK TALKS ABOUT GIRLS LIKE ME (2006) BY JEN DENIKE

JULIA STOSCHEK TALKS ABOUT MASKIROVKA (2017) BY TOBIAS ZIELONY

A TALK WITH MERIEM BENNANI AND CURATOR LISA LONG, JSC BERLIN, 24 JANUARY 2020

A TALK WITH A.K. BURNS AND CURATOR LISA LONG, JSC DÜSSELDORF, 16 NOVEMBER 2019

A TALK WITH PAULINE BOUDRY & RENATE LORENZ AND CURATOR LISA LONG, JSC BERLIN, 27 JULY 2019

A TALK WITH RINDON JOHNSON & EDUARDO WILLIAMS AND CURATOR LISA LONG, JSC DÜSSELDORF, 31 MARCH 2019

A TALK WITH ARTHUR JAFA AND JÖRG HEISER, JSC BERLIN, 12 FEBRUARY 2019

BASEL ABBAS & RUANNE ABOU-RAHME, THE INCIDENTAL INSURGENTS: THE PART ABOUT THE BANDITS (CHAPTER 2), 2012/13, HD VIDEO, 6′07″, COLOR, SOUND. COURTESY OF THE ARTISTS.

HEIKE BARANOWSKY, SCHWIMMERIN, 2000, SINGLE-CHANNEL VIDEO INSTALLATION, 2′, COLOR, NO SOUND. © VG BILD-KUNST, BONN 2021. COURTESY OF THE ARTIST AND GALERIE BARBARA WEISS, BERLIN.

HEIKE BARANOWSKY, GRAS, 2001, EINKANAL-VIDEOINSTALLATION, 2′, COLOR, NO SOUND. © VG BILD-KUNST, BONN 2021. COURTESY OF THE ARTIST AND GALERIE BARBARA WEISS, BERLIN.

HEIKE BARANOWSKY, MONDFAHRT, 2001, SINGLE-CHANNEL VIDEO INSTALLATION, 6′22″, COLOR, NO SOUND. © VG BILD-KUNST, BONN 2021. COURTESY OF THE ARTIST AND GALERIE BARBARA WEISS, BERLIN.

JOHANNA BILLING, PROJECT FOR A REVOLUTION, 2000, VIDEO, DV 3′14″, LOOP, COLOR, SOUND. A FILM BY JOHANNA BILLING. CINEMATOGRAPHY BY JOHAN PHILLIPS & HENRY MOORE SELDER. SOUND BY MARIO ADAMSSON. CO-PRODUCED BY RIKSUTSTÄLLNINGAR. © VG BILD-KUNST, BONN 2021. COURTESY OF THE ARTIST AND KAVI GUPTA, CHICAGO.

JOHN BOCK, ZEZZIMINNEGESANG, 2006, 16MM FILM TRANSFERRED TO VIDEO, 27′22″, COLOR, SOUND. COURTESY OF THE ARTIST.

JOHN BOCK, LÜTTE MIT RUCOLA, 2006, HD VIDEO, 35′41″, COLOR, SOUND. COURTESY OF THE ARTIST.

JOHN BOCK, DIE ABGESCHMIERTE KNICKLENKUNG IM GEPÄCK VERHEDDERT SICH IM WEISSEN HEMD, 2009, VIDEO, 28′37″, COLOR, SOUND. COURTESY OF THE ARTIST.

JOHN BOCK, IM SCHATTEN DER MADE, 2010, VIDEO, 74’16’’, COLOR, SOUND. COURTESY OF THE ARTIST.

JOHN BOCK, PI-BEAN, 2010, VIDEO, 31′10″, COLOR, SOUND. COURTESY OF THE ARTIST.

JOHN BOCK, SEEWOLF, 2010, VIDEO, 28′37″, COLOR, SOUND. COURTESY OF THE ARTIST.

JOHN BOCK, BAUCHHÖHLE BAUCHEN, 2011, VIDEO, 46′55″, COLOR, SOUND. COURTESY OF THE ARTIST.

JOHN BOCK, LICHTERLOH ROH, 2011, VIDEO, 15′31″, COLOR, SOUND. COURTESY OF THE ARTIST.

JOHN BOCK, MONSIEUR ET MONSIEUR, 2011, VIDEO, 36′49″, COLOR, SOUND. COURTESY OF THE ARTIST.

JOHN BOCK, NICHTS UNTER DER KINNLADE, 2011, VIDEO, 8′55″, COLOR, SOUND. COURTESY OF THE ARTIST.

JOHN BOCK, UNHEIL, 2018, HD VIDEO, 90′57″, COLOR, SOUND. COURTESY OF THE ARTIST.

MONICA BONVICINI, HAMMERING OUT (AN OLD ARGUMENT), 1998–2003, VIDEO, 31′55″, COLOR, SOUND. © VG BILD-KUNST, BONN 2021. COURTESY OF THE ARTIST AND GALLERIA EMI FONTANA, MILAN.

KLAUS VOM BRUCH, DAS ALLIIERTENBAND, 1982, VIDEO, 10′29″, COLOR, SOUND. © VG BILD-KUNST, BONN 2021. COURTESY OF THE ARTIST AND ELECTRONIC ARTS INTERMIX, NEW YORK.

IAN CHENG, EMISSARY FORKS AT PERFECTION, 2015, LIVE SIMULATION AND STORY, INFINITE DURATION, COLOR, SOUND. EXCERPT (SCREEN RECORDING). COURTESY OF THE ARTIST AND PILAR CORRIAS, LONDON.

IAN CHENG, EMISSARY IN THE SQUAT OF GODS, 2015, LIVE SIMULATION AND STORY, INFINITE DURATION, COLOR, SOUND. EXCERPT (SCREEN RECORDING). COURTESY OF THE ARTIST AND PILAR CORRIAS, LONDON.

IAN CHENG, EMISSARY SUNSETS THE SELF, 2017, LIVE SIMULATION AND STORY, INFINITE DURATION, COLOR, SOUND. EXCERPT (SCREEN RECORDING). COURTESY OF THE ARTIST AND PILAR CORRIAS, LONDON.

IAN CHENG, BOB (BAG OF BELIEFS), 2018–2019, ARTIFICIAL LIFEFORM, INFINITE DURATION, COLOR, SOUND, DIMENSIONS VARIABLE. EXCERPT (SCREEN RECORDING). COURTESY OF THE ARTIST AND PILAR CORRIAS, LONDON.

KEREN CYTTER, LES RUISSELLEMENTS DU DIABLE, 2008, VIDEO, 10′45″, COLOR, SOUND. COURTESY OF THE ARTIST AND GALERIE NAGEL DRAXLER, BERLIN/COLOGNE

KEREN CYTTER, FOUR SEASONS, 2009, VIDEO, 8′05″, COLOR, SOUND. COURTESY OF THE ARTIST AND GALERIE NAGEL DRAXLER, BERLIN/COLOGNE.

KEREN CYTTER, UNTITLED, 2009, VIDEO, 16′52″, COLOR, SOUND. COURTESY OF THE ARTIST AND GALERIE NAGEL DRAXLER, BERLIN/COLOGNE.

JEN DENIKE, WRESTLING, 2002, VIDEO, 3′10″, COLOR, SOUND. COURTESY OF THE ARTIST AND ANAT EBGI GALLERY, LOS ANGELES.

JEN DENIKE, DUNKING, 2003, VIDEO, 3′30″, COLOR, SOUND. COURTESY OF THE ARTIST AND ANAT EBGI GALLERY, LOS ANGELES.

JEN DENIKE, SHIPWRECK, 2005, VIDEO, 49″, COLOR, SOUND. COURTESY OF THE ARTIST AND ANAT EBGI GALLERY, LOS ANGELES.

JEN DENIKE, THE DEADMAN’S FLOAT, 2005, VIDEO, 1′, COLOR, SOUND. COURTESY OF THE ARTIST AND ANAT EBGI GALLERY, LOS ANGELES.

JEN DENIKE, FELL, 2006, VIDEO, 1′20″, COLOR, SOUND. COURTESY OF THE ARTIST AND ANAT EBGI GALLERY, LOS ANGELES.

JEN DENIKE, GIRLS LIKE ME, 2006, VIDEO, 6′, COLOR, SOUND. COURTESY OF THE ARTIST AND ANAT EBGI GALLERY, LOS ANGELES.

JEN DENIKE, THE PIMP, 2015, HD VIDEO, 5′22″, COLOR, SOUND. COURTESY OF THE ARTIST AND ANAT EBGI GALLERY, LOS ANGELES.

NATHALIE DJURBERG & HANS BERG, IT’S THE MOTHER, 2008, VIDEO, 6′, COLOR, SOUND. © VG BILD-KUNST, BONN 2021. COURTESY OF THE ARTISTS AND GIÓ MARCONI, MILAN.

NATHALIE DJURBERG & HANS BERG, WE ARE NOT TWO, WE ARE ONE, 2008, VIDEO, 5′33″, COLOR, SOUND. © VG BILD-KUNST, BONN 2021. COURTESY OF THE ARTISTS AND GIÓ MARCONI, MILAN.

NATHALIE DJURBERG & HANS BERG, THE EXPERIMENT, 2009, THREE-CHANNEL VIDEO INSTALLATION. © VG BILD-KUNST, BONN 2021. COURTESY OF THE ARTISTS AND GIÓ MARCONI, MILAN.

CONSISTING OF:

NATHALIE DJURBERG, HANS BERG, CAVE, 2009, VIDEO, 5’35’’, COLOR, SOUND

NATHALIE DJURBERG, HANS BERG, FOREST, 2009, VIDEO, 7’27’’, COLOR, SOUND

NATHALIE DJURBERG, HANS BERG, GREED, 2009, VIDEO, 10’45’’, COLOR, SOUND

TRACEY EMIN, SOMETIMES THE DRESS IS WORTH MORE THAN THE MONEY, 2001, VIDEO, 4′, COLOR, SOUND. © VG BILD-KUNST, BONN 2021. COURTESY OF THE ARTIST.

LORETTA FAHRENHOLZ, IMPLOSION, 2011, HD VIDEO, 30′, COLOR, SOUND. (EXCERPTS). COURTESY OF THE ARTIST AND GALERIE BUCHHOLZ, BERLIN/COLOGNE/NEW YORK.

LORETTA FAHRENHOLZ, MY THROAT, MY AIR, 2013, HD VIDEO, 17′, COLOR, SOUND. (EXCERPTS). COURTESY OF THE ARTIST AND GALERIE BUCHHOLZ, BERLIN/COLOGNE/NEW YORK.

CAO FEI, RMB CITY – A SECOND LIFE CITY PLANNING BY CHINA TRACY, 2007, VIDEO, 6′, COLOR, SOUND. COURTESY OF THE ARTIST AND CREATIVE VITAMINE SPACE, GUANGZHOU.

PETER FISCHLI & DAVID WEISS, BÜSI, 2001, VIDEO, 6′30″, COLOR, NO SOUND. COURTESY OF THE ARTISTS.

PETER FISCHLI & DAVID WEISS, HUNDE, 2003, VIDEO, 29′51″, COLOR, SOUND. COURTESY OF THE ARTIST.

KATE GILMORE, MY LOVE IS AN ANCHOR, 2004, VIDEO, 7′05″, COLOR, SOUND. COURTESY OF THE ARTIST.

KATE GILMORE, MAIN SQUEEZE, 2006, VIDEO, 4′59′′, COLOR, SOUND. COURTESY OF THE ARTIST.

DOUGLAS GORDON, NEW COLOUR EMPIRE, 2006–2010, SINGLE-CHANNEL HD VIDEO INSTALLATION, 108′3″, COLOR, NO SOUND. © VG BILD-KUNST, BONN 2021. COURTESY OF THE ARTIST.

DOUGLAS GORDON, NEW COLOUR EMPIRES, 2006–2010, HD VIDEO , 17′45″, COLOR, NO SOUND. © VG BILD-KUNST, BONN 2021. COURTESY OF THE ARTIST.

MANUEL GRAF, SHULMANTONIONI, 2004, MIXED-MEDIA VIDEO INSTALLATION; STOOL, 3′, COLOR, SOUND. COURTESY OF THE ARTIST AND VAN HORN, DÜSSELDORF.

MANUEL GRAF, 1000 JAHRE SIND EIN TAG, 2005, VIDEO, 4′, COLOR, SOUND.

MANUEL GRAF, PING PONG, 2005, MIXED-MEDIA VIDEO INSTALLATION; SCULPTURE; WIRE, PLASTER, PAPIER-MACHÉ, VIDEO, 7′, COLOR, SOUND. COURTESY OF THE ARTIST.

MANUEL GRAF, ÜBER DIE AUS DER ZUKUNFT FLIESSENDE ZEIT, 2006, VIDEO, 9′, B/W, SOUND. COURTESY OF THE ARTIST.

CAO GUIMARÃES, NANOFANIA, 2003, SUPER 8MM FILM, TRANSFERRED TO VIDEO, 3′, COLOR & B/W, SOUND. COURTESY OF THE ARTIST AND GALERIA NARA ROESLER, SÃO PAULO/RIO DE JANEIRO/NEW YORK.

BARBARA HAMMER, I WAS/I AM, 1973, 16MM FILM TRANSFERRED TO VIDEO, 5′35″, B/W, SOUND. COURTESY OF THE ESTATE OF BARBARA HAMMER AND KOW, BERLIN/MADRID.

BARBARA HAMMER, X, 1975, 16MM FILM TRANSFERRED TO VIDEO, 7′04″, COLOR, SOUND. COURTESY OF THE ESTATE OF BARBARA HAMMER AND KOW, BERLIN/MADRID.

BARBARA HAMMER, DOUBLE STRENGTH, 1978, 16MM FILM TRANSFERRED TO VIDEO, 14′03″, COLOR, SOUND. COURTESY OF THE ESTATE OF BARBARA HAMMER AND KOW, BERLIN/MADRID.

BARBARA HAMMER, SANCTUS, 1990, 16MM FILM TRANSFERRED TO VIDEO, 18′18″, B/W & COLOR, SOUND. SOUND BY NEIL B. ROLNICK. COURTESY OF THE ESTATE OF BARBARA HAMMER AND KOW, BERLIN/MADRID.

CHRISTIAN JANKOWSKI, DIE JAGD, 1992/1997, VIDEO, 1′11″, COLOR, SOUND. COURTESY OF THE ARTIST AND HELGA MARIA KLOSTERFELDE, BERLIN.

CHRISTIAN JANKOWSKI, HOLLYWOODSCHNEE, 2004, 16MM FILM TRANSFERRED TO VIDEO, 11′50″, COLOR, SOUND. COURTESY OF THE ARTIST AND HELGA MARIA KLOSTERFELDE, BERLIN.

CHRISTIAN JANKOWSKI, 16 MM MYSTERY, 2004, 35MM FILM TRANSFERRED TO VIDEO, 5′, COLOR, SOUND. COURTESY OF THE ARTIST AND HELGA MARIA KLOSTERFELDE, BERLIN.

CHRISTIAN JANKOWSKI, WHAT REMAINS, 2004, 16MM FILM TRANSFERRED TO VIDEO, 11′33″, COLOR, SOUND. COURTESY OF THE ARTIST AND HELGA MARIA KLOSTERFELDE, BERLIN.

JESPER JUST, BLISS AND HEAVEN, 2004, 16MM FILM, TRANSFERRED TO VIDEO, 8′41″, COLOR, SOUND. COURTESY OF THE ARTIST.

JESPER JUST, THE LONELY VILLA, 2004, 16MM FILM, TRANSFERRED TO VIDEO, 5′30″, COLOR, SOUND. COURTESY OF THE ARTIST.

JESPER JUST, SOMETHING TO LOVE, 2005, 16MM FILM TRANSFERRED TO HD VIDEO, 8′10″, COLOR, SOUND. COURTESY OF THE ARTIST.

KLARA LIDÉN, PARALYZED, 2003, VIDEO, 3′, COLOR, SOUND. COURTESY OF THE ARTIST, REENA SPAULINGS FINE ART, NEW YORK AND GALERIE NEU, BERLIN.

KLARA LIDÉN, 550, 2004, VIDEO, 2′56″, COLOR, SOUND. COURTESY OF THE ARTIST, REENA SPAULINGS FINE ART, NEW YORK AND GALERIE NEU, BERLIN

KLARA LIDÉN, KASTA MACKA, 2009, VIDEO, 3′45″, COLOR, SOUND. COURTESY OF THE ARTIST, REENA SPAULINGS FINE ART, NEW YORK AND GALERIE NEU, BERLIN.

KLARA LIDÉN, UNTITLED (TRASHCAN), 2011, VIDEO, 2′56″, COLOR, SOUND. COURTESY OF THE ARTIST, REENA SPAULINGS FINE ART, NEW YORK AND GALERIE NEU, BERLIN.

KLARA LIDÉN, GROUNDING, 2018, HD VIDEO, 5′53″, COLOR, SOUND. COURTESY OF THE ARTIST, REENA SPAULINGS FINE ART, NEW YORK AND GALERIE NEU, BERLIN.

HELEN MARTEN, DUST AND PIRANHAS, 2011, HD VIDEO, 25′25″, COLOR, SOUND. COURTESY OF THE ARTIST AND KÖNIG GALERIE, BERLIN.

HELEN MARTEN, EVIAN DISEASE, 2012, HD VIDEO, 28′45″, COLOR, SOUND. COURTESY OF THE ARTIST AND KÖNIG GALERIE, BERLIN.

LUTZ MOMMARTZ, DIE TREPPE, 1967, 16MM FILM TRANSFERRED TO VIDEO, 6′38″, B/W, SOUND. COURTESY OF THE ARTIST.

LUTZ MOMMARTZ, SELBSTSCHÜSSE, 1967, 16MM FILM TRANSFERRED TO VIDEO, 6′16″, B/W, SOUND. COURTESY OF THE ARTIST.

LUTZ MOMMARTZ, WEG ZUM NACHBARN, 1968, 16MM FILM TRANSFERRED TO VIDEO, 10′26″, B/W, SOUND. COURTESY OF THE ARTIST.

LUTZ MOMMARTZ, SOZIALE PLASTIK, 1969, 16MM FILM TRANSFERRED TO VIDEO, 11′41″, B/W, NO SOUND. COURTESY OF THE ARTIST.

LUTZ MOMMARTZ, ALS WÄR’S VON BECKETT, 1975, 16MM FILM TRANSFERRED TO VIDEO, 23′, B/W, SOUND. COURTESY OF THE ARTIST.

ELIZABETH PRICE, AT THE HOUSE OF MR. X, 2007, HD VIDEO, 20′, COLOR, SOUND. COURTESY OF THE ARTIST.

ELIZABETH PRICE, THE WOOLWORTHS CHOIR OF 1979, 2012, HD VIDEO, 10′, COLOR, SOUND. COURTESY OF THE ARTIST.

ELIZABETH PRICE, SUNLIGHT, 2013, TWO-CHANNEL VIDEO INSTALLATION, 10′, COLOR, SOUND. COURTESY OF THE ARTIST.

JON RAFMAN, STILL LIFE (BETAMALE), 2013, HD VIDEO, 4′54″, COLOR, SOUND. COURTESY OF THE ARTIST.

JON RAFMAN, MAINSQUEEZE, 2014, HD VIDEO, 7′23″, COLOR, SOUND. COURTESY OF THE ARTIST.

JON RAFMAN, ERYSICHTHON, 2015, HD VIDEO, 8′03″, COLOR, SOUND. COURTESY OF THE ARTIST.

PIPILOTTI RIST, SEXY SAD I, 1987, VIDEO, 4′36″, COLOR, SOUND. COURTESY OF THE ARTIST AND ELECTRONIC ARTS INTERMIX, NEW YORK.

PIPILOTTI RIST, (ENTLASTUNGEN) PIPILOTTIS FEHLER, 1988, VIDEO, 11′10″, COLOR, SOUND. COURTESY OF THE ARTIST AND ELECTRONIC ARTS INTERMIX, NEW YORK.

PIPILOTTI RIST, YOU CALLED ME JACKY, 1990, VIDEO, 4′06″, COLOR, SOUND. COURTESY OF THE ARTIST AND ELECTRONIC ARTS INTERMIX, NEW YORK.

PIPILOTTI RIST, ALS DER BRUDER MEINER MUTTER GEBOREN WURDE, DUFTETE ES NACH WILDEN BIRNENBLÜTEN VOR DEM BRAUNGEBRANNTEN SIMS, 1992, VIDEO, 3′55″, COLOR, SOUND. COURTESY OF THE ARTIST AND ELECTRONIC ARTS INTERMIX, NEW YORK.

PIPILOTTI RIST, PICKELPORNO, 1992, VIDEO, 12′02″, COLOR, SOUND. COURTESY OF THE ARTIST AND ELECTRONIC ARTS INTERMIX, NEW YORK.

PIPILOTTI RIST, BLUTCLIP, 1993, VIDEO, 2′40″, COLOR, SOUND. COURTESY OF THE ARTIST AND ELECTRONIC ARTS INTERMIX, NEW YORK.

FRANCES STARK, MY BEST THING, 2011, VIDEO, 99′17″, COLOR, SOUND. COURTESY OF THE ARTIST AND GAVIN BROWN´S ENTERPRISE, NEW YORK/ROM.

FRANCES STARK, NOTHING IS ENOUGH, 2012, HD VIDEO, 14′, B/W, SOUND. INSTALLATION VIEW, NUMBER SEVEN: ED ATKINS/FRANCES STARK, JSC DÜSSELDORF.

RYAN TRECARTIN, P.OPULAR S.KY (SECTION ISH), 2009, HD VIDEO, PICNIC TABLES WITH INTEGRATED BENCHES, 43′51”, COLOR, SOUND. COURTESY OF THE ARTIST AND ELIZABETH DEE GALLERY, NEW YORK.

PART OF:

RYAN TRECARTIN, TRILL-OGY COMP, 2009

RYAN TRECARTIN, K-COREAINC.K (SECTION A), 2009, HD VIDEO, CONFERENCE TABLE, OFFICE CHAIRS, 33′05”, COLOR, SOUND. COURTESY OF THE ARTIST AND ELIZABETH DEE GALLERY, NEW YORK.

PART OF:

RYAN TRECARTIN, TRILL-OGY COMP, 2009

RYAN TRECARTIN, SIBLING TOPICS (SECTION A), 2009, HD VIDEO, AIRPLANE SEATS, 50′, COLOR, SOUND. COURTESY OF THE ARTIST AND ELIZABETH DEE GALLERY, NEW YORK.

PART OF:

RYAN TRECARTIN, TRILL-OGY COMP, 2009

BRITTA THIE, „MALL-E“, 2016, HD FILM, 2′48″, COLOR, SOUND. © VG BILD-KUNST, BONN 2021. COURTESY OF THE ARTIST.

BRITTA THIE, „THREE INFOMERCIALS“, 2016, THREE-CHANNEL HD VIDEO INSTALLATION, 1′49″, COLOR, SOUND. © VG BILD-KUNST, BONN 2021. COURTESY OF THE ARTIST.

WOLFGANG TILLMANS, HEARTBEAT/ARMPIT, 2003, VIDEO, 2′27″, COLOR, SOUND. COURTESY OF THE ARTIST.

WOLFGANG TILLMANS, PEAS, 2003, VIDEO, 2′42″, COLOR, SOUND. COURTESY OF THE ARTIST.

WANGSHUI, FROM ITS MOUTH CAME A RIVER OF HIGH-END RESIDENTIAL APPLIANCES, 2018, VIDEO, 13′, COLOR, SOUND. COURTESY OF THE ARTIST.

ANDRO WEKUA, NEVER SLEEP WITH A STRAWBERRY IN YOUR MOUTH, 2010, HD VIDEO, 14′, COLOR, SOUND. COURTESY OF THE ARTIST.

AMIR YATZIV, HAUSBAUMASCHINE, 2013, MIXED MEDIA VIDEO INSTALLATION, HD VIDEO, 3D PRINT MODEL MADE OF NYLON, BOOK BAUORDNUNGSLEHRE (BOL) (ERNST NEUFERT, ED. BY ALBERT SPEER, 1943, FIRST EDITION), 7′39″, COLOR, SOUND, 29,7 × 18,4 × 25,5 CM (MODEL). COURTESY OF THE ARTIST.

AMIR YATZIV, THE NATIONAL PARK, 2015, HD VIDEO, 5′39″, COLOR, SOUND. COURTESY OF THE ARTIST. 

AARON YOUNG, HIGH PERFORMANCE, 2000, VIDEO, 3′, COLOR, SOUND. COURTESY OF THE ARTIST.

AARON YOUNG, GOOD BOY, 2001, VIDEO, 2′05″, COLOR, SOUND. COURTESY OF THE ARTIST.

AARON YOUNG, WHITE CONS, 2003, VIDEO, 3′, COLOR, SOUND. COURTESY OF THE ARTIST AND HARRIS LIEBERMAN, NEW YORK.

AARON YOUNG, FREEDOM FRIES, 2005, VIDEO, 4′, COLOR, SOUND. COURTESY OF THE ARTIST AND GLADSTONE GALLERY, NEW YORK.

TOBIAS ZIELONY, MASKIROVKA, 2017, HD VIDEO, STOP MOTION, 8′46″, COLOR, NO SOUND. COURTESY OF THE ARTIST AND KOW, BERLIN/MADRID.

TOBIAS ZIELONY, LE VELE DI SCAMPIA, 2009, HD VIDEO, STOP MOTION, 9′16″, COLOR, NO SOUND. COURTESY OF THE ARTIST AND KOW, BERLIN/MADRID.

TOBIAS ZIELONY, DER BRIEF (THE LETTER), 2013, HD VIDEO, STOP MOTION, 4′26″, COLOR, SOUND. COURTESY OF THE ARTIST AND KOW, BERLIN/MADRID.

TOBIAS ZIELONY, THE STREET (C.P.A.), 2013, HD VIDEO, STOP MOTION, 1′57″, COLOR, NO SOUND. COURTESY OF THE ARTIST AND KOW, BERLIN/MADRID.