JSC ON VIEW: BASEL ABBAS & RUANNE ABOU-RAHME, THOMAS DEMAND, BEATRICE GIBSON, ARTHUR JAFA, SIGALIT LANDAU, ADAM MCEWEN, COLIN MONTGOMERY, TARYN SIMON, HITO STEYERL, TOBIAS ZIELONY
WORKS FROM THE JULIA STOSCHEK COLLECTION
JSC DÜSSELDORF, 9 FEBRUARY – 6 DECEMBER 2020

SOPHIA AL-MARIA, BITCH OMEGA, HORIZONTAL VERTIGO, JSC DÜSSELDORF, 8 MARCH – 6 DECEMBER 2020

MERIEM BENNANI, PARTY ON THE CAPS, HORIZONTAL VERTIGO, JSC BERLIN, 25 JANUARY – 29 NOVEMBER 2020

STAN DOUGLAS / SPLICING BLOCK, JSC BERLIN, 1 NOVEMBER 2019 – 29 MARCH 2020

WANGSHUI, HORIZONTAL VERTIGO, JSC BERLIN, 12 SEPTEMBER – 15 DECEMBER 2019

A.K. BURNS, NEGATIVE SPACE, HORIZONTAL VERTIGO, JSC DÜSSELDORF, 6 SEPTEMBER 2019 – 2 FEBRUARY 2020

JSC ON VIEW: LUTZ BACHER, BARBARA HAMMER, CAROLEE SCHNEEMANN

WORKS FROM THE JULIA STOSCHEK COLLECTION

JSC DÜSSELDORF, 21 JULY – 22 DECEMBER 2019

PAULINE BOUDRY / RENATE LORENZ, ONGOING EXPERIMENTS WITH STRANGENESS, HORIZONTAL VERTIGO, JSC BERLIN, 26 APRIL – 28 JULY 2019

RINDON JOHNSON CIRCUMSCRIBE, HORIZONTAL VERTIGO, JSC DÜSSELDORF, 31 MARCH – 28 JULY 2019

NEW METALLURGISTS, JSC DÜSSELDORF, 7 OCTOBER 2018 – 28 APRIL 2019

TIME KILLS (O TEMPO MATA), SESC AVENIDA PAULISTA, SÃO PAULO, 21 MARCH – 16 JUNE 2019

IAN CHENG – EMISSARIES, JSC BERLIN, 27 APRIL – 1 JULY 2018

ARTHUR JAFA: A SERIES OF UTTERLY IMPROBABLE, YET EXTRAORDINARY RENDITIONS, JSC BERLIN, 11 FEBRUARY – 16 DECEMBER 2018

GENERATION LOSS – 10 YEARS JULIA STOSCHEK COLLECTION, JSC DÜSSELDORF, 10 JUNE 2017 – 9 SEPTEMBER 2018

WELT AM DRAHT, JSC BERLIN, 2 JUNE – 13 NOVEMBER 2016

NUMBER ELEVEN: CYPRIEN GAILLARD, JSC DÜSSELDORF, 26 SEPTEMBER 2015 – 31 JULY 2016

NUMBER NINE: ELIZABETH PRICE, JSC DÜSSELDORF, 6 SEPTEMBER 2014 – 1 FEBRUARY 2015

NUMBER EIGHT: STURTEVANT, JSC DÜSSELDORF, 5 APRIL – 10 AUGUST 2014

NUMBER SIX: FLAMING CREATURES, JSC DÜSSELDORF, 8 SEPTEMBER 2012 – 29 JUNE 2013

NUMBER FIVE: CITIES OF GOLD AND MIRRORS, JSC DÜSSELDORF, 2 JULY 2011 – 30 JUNE 2012

NUMBER FOUR: DEREK JARMAN – SUPER8, JSC DÜSSELDORF, 11 SEPTEMBER 2010 – 26 FEBRUARY 2011

COLIN SELF, SUBTEXT, HORIZONTAL VERTIGO, JSC BERLIN, 31 MAY – 1 JUNE 2019

APEX VARIATIONS, A PERFORMANCE BY JASON MORAN TO ARTHUR JAFA’S APEX, JSC BERLIN, 16 DECEMBER 2018

ALLORA & CALZADILLA, STOP, REPAIR, PREPARE, ZKM, KARLSRUHE, 15 MARCH 2014

JOHANNES PAUL RAETHER AT VENUS & APOLL, DÜSSELDORF
24 MARCH 2012

JULIA STOSCHEK TALKS ABOUT NEVER SLEEP WITH A STRAWBERRY IN YOUR MOUTH (2010) BY ANDRO WEKUA

JULIA STOSCHEK TALKS ABOUT IT’S THE MOTHER (2008) BY NATHALIE DJURBERG & HANS BERG

JULIA STOSCHEK TALKS ABOUT ERYSICHTHON (2015) BY JON RAFMAN

JULIA STOSCHEK TALKS ABOUT ES RUISSELLEMENTS DU DIABLE (2008) BY KEREN CYTTER

JULIA STOSCHEK TALKS ABOUT SOMETHING TO LOVE (2005) BY JESPER JUST

JULIA STOSCHEK TALKS ABOUT THE INCIDENTAL INSURGENTS: THE PART ABOUT THE BANDITS (CHAPTER 2) (2012/13) BY BASEL ABBAS & RUANNE ABOU-RAHME

JULIA STOSCHEK TALKS ABOUT RMB CITY – A SECOND LIFE CITY PLANNING BY CHINA TRACY (2007) BY CAO FEI

JULIA STOSCHEK TALKS ABOUT X (1975) BY BARBARA HAMMER

JULIA STOSCHEK TALKS ABOUT DIE JAGD (1992/97) BY CHRISTIAN JANKOWSKI

JULIA STOSCHEK TALKS ABOUT GIRLS LIKE ME (2006) BY JEN DENIKE

JULIA STOSCHEK TALKS ABOUT MASKIROVKA (2017) BY TOBIAS ZIELONY

A TALK WITH MERIEM BENNANI AND CURATOR LISA LONG, JSC BERLIN, 24 JANUARY 2020

A TALK WITH A.K. BURNS AND CURATOR LISA LONG, JSC DÜSSELDORF, 16 NOVEMBER 2019

A TALK WITH PAULINE BOUDRY & RENATE LORENZ AND CURATOR LISA LONG, JSC BERLIN, 27 JULY 2019

A TALK WITH RINDON JOHNSON & EDUARDO WILLIAMS AND CURATOR LISA LONG, JSC DÜSSELDORF, 31 MARCH 2019

A TALK WITH ARTHUR JAFA AND JÖRG HEISER, JSC BERLIN, 12 FEBRUARY 2019

AARON YOUNG, FREEDOM FRIES, 2005, VIDEO, 4′, COLOR, SOUND.
COURTESY OF THE ARTIST AND GLADSTONE GALLERY, NEW YORK.

AARON YOUNG, GOOD BOY, 2001, VIDEO, 2′05″, COLOR, SOUND.
COURTESY OF THE ARTIST.

AARON YOUNG, HIGH PERFORMANCE, 2000, VIDEO, 3′, COLOR, SOUND.
COURTESY OF THE ARTIST.

AMIR YATZIV, HAUSBAUMASCHINE, 2013, MIXED MEDIA VIDEO INSTALLATION, HD VIDEO, 3D PRINT MODEL MADE OF NYLON, BOOK BAUORDNUNGSLEHRE (BOL) (ERNST NEUFERT, ED. BY ALBERT SPEER, 1943, FIRST EDITION), 7′39″, COLOR, SOUND, 29,7 × 18,4 × 25,5 CM (MODEL). COURTESY OF THE ARTIST.

AMIR YATZIV, THE NATIONAL PARK, 2015, HD VIDEO, 5′39″, COLOR, SOUND. COURTESY OF THE ARTIST. 

TRACEY EMIN, SOMETIMES THE DRESS IS WORTH MORE THAN THE MONEY, 2001, VIDEO, 4′, COLOR, SOUND. COURTESY OF THE ARTIST.

IAN CHENG, EMISSARY IN THE SQUAT OF GODS, 2015, LIVE SIMULATION AND STORY, INFINITE DURATION, COLOR, SOUND. EXCERPT (SCREEN RECORDING). COURTESY OF THE ARTIST AND PILAR CORRIAS, LONDON.

IAN CHENG, EMISSARY SUNSETS THE SELF, 2017, LIVE SIMULATION AND STORY, INFINITE DURATION, COLOR, SOUND. EXCERPT (SCREEN RECORDING). COURTESY OF THE ARTIST AND PILAR CORRIAS, LONDON.

IAN CHENG, EMISSARY FORKS AT PERFECTION, 2015, LIVE SIMULATION AND STORY, INFINITE DURATION, COLOR, SOUND. EXCERPT (SCREEN RECORDING). COURTESY OF THE ARTIST AND PILAR CORRIAS, LONDON.

HEIKE BARANOWSKY, GRAS, 2001, EINKANAL-VIDEOINSTALLATION, 2′, COLOR, NO SOUND.
COURTESY OF THE ARTIST AND GALERIE BARBARA WEISS, BERLIN.

HEIKE BARANOWSKY, SCHWIMMERIN, 2000, SINGLE-CHANNEL VIDEO INSTALLATION,
2′, COLOR, NO SOUND.
COURTESY OF THE ARTIST AND GALERIE BARBARA WEISS, BERLIN.

HEIKE BARANOWSKY, MONDFAHRT, 2001, SINGLE-CHANNEL VIDEO INSTALLATION, 6′22″, COLOR, NO SOUND.
COURTESY OF THE ARTIST AND GALERIE BARBARA WEISS, BERLIN.

KLAUS VOM BRUCH, DAS ALLIIERTENBAND, 1982, VIDEO, 10′29″, COLOR, SOUND. COURTESY OF THE ARTIST AND ELECTRONIC ARTS INTERMIX, NEW YORK.

LORETTA FAHRENHOLZ, IMPLOSION, 2011, HD VIDEO, 30′, COLOR, SOUND. (EXCERPTS). COURTESY OF THE ARTIST AND GALERIE BUCHHOLZ, BERLIN/COLOGNE/NEW YORK.

LORETTA FAHRENHOLZ, MY THROAT, MY AIR, 2013, HD VIDEO, 17′, COLOR, SOUND. (EXCERPTS). COURTESY OF THE ARTIST AND GALERIE BUCHHOLZ, BERLIN/COLOGNE/NEW YORK.

WANGSHUI, FROM ITS MOUTH CAME A RIVER OF HIGH-END RESIDENTIAL APPLIANCES, 2018, VIDEO, 13′, COLOR, SOUND. COURTESY OF THE ARTIST.

HELEN MARTEN, EVIAN DISEASE, 2012, HD VIDEO, 28′45″, COLOR, SOUND. COURTESY OF THE ARTIST AND KÖNIG GALERIE, BERLIN.

HELEN MARTEN, DUST AND PIRANHAS, 2011 HD VIDEO, 25′25″, COLOR, SOUND. COURTESY OF THE ARTIST AND KÖNIG GALERIE, BERLIN.

JESPER JUST, THE LONELY VILLA, 2004, 16MM FILM, TRANSFERRED to VIDEO, 5′30″, COLOR, SOUND. COURTESY OF THE ARTIST.

JESPER JUST, SOMETHING TO LOVE, 2005, 16MM FILM TRANSFERRED TO HD VIDEO, 8′10″, COLOR, SOUND. COURTESY OF THE ARTIST.

JESPER JUST, BLISS AND HEAVEN, 2004, 16MM FILM, TRANSFERRED TO VIDEO, 8′41″, COLOR, SOUND. COURTESY OF THE ARTIST.

JOHANNA BILLING, PROJECT FOR A REVOLUTION, 2000, VIDEO, 3′14″, COLOR, SOUND. COURTESY OF THE ARTIST AND KAVI GUPTA, CHICAGO.

ANDRO WEKUA, NEVER SLEEP WITH A STRAWBERRY IN YOUR MOUTH, 2010, HD VIDEO, 14′, COLOR, SOUND. COURTESY OF THE ARTIST.

JOHN BOCK, DIE ABGESCHMIERTE KNICKLENKUNG IM GEPÄCK VERHEDDERT SICH IM WEISSEN HEMD, 2009, VIDEO, 28′37″, COLOR, SOUND. COURTESY OF THE ARTIST.

JOHN BOCK, UNHEIL, 2018, HD VIDEO, 90′57″, COLOR, SOUND. COURTESY OF THE ARTIST.

MONICA BONVICINI, HAMMERING OUT (AN OLD ARGUMENT), 1998–2003, VIDEO, 31′55″, COLOR, SOUND. © VG BILD-KUNST, BONN 2019. COURTESY OF THE ARTIST AND GALLERIA EMI FONTANA, MILAN.

BRITTA THIE, „MALL-E“, 2016, HD FILM, 2′48″, COLOR, SOUND. COURTESY OF THE ARTIST.

BRITTA THIE, „THREE INFOMERCIALS“, 2016, THREE-CHANNEL HD VIDEO INSTALLATION, 1′49″, COLOR, SOUND. COURTESY OF THE ARTIST.

JOHN BOCK, PI-BEAN, 2010, VIDEO, 31′10″, COLOR, SOUND. COURTESY OF THE ARTIST.

PART OF:

JOHN BOCK, EIN HAUFEN VOLLER FLACKER, 2012, NINE-CHANNEL MIXED-MEDIA VIDEO INSTALLATION; WOOD, STOOLS, COLOR, SOUND

JOHN BOCK, NICHTS UNTER DER KINNLADE, 2011, VIDEO, 8′55″, COLOR, SOUND. COURTESY OF THE ARTIST.

PART OF:

JOHN BOCK, EIN HAUFEN VOLLER FLACKER, 2012, NINE-CHANNEL MIXED-MEDIA VIDEO INSTALLATION; WOOD, STOOLS, COLOR, SOUND

JOHN BOCK, IM SCHATTEN DER MADE, 2010, VIDEO, 74’16’’, COLOR, SOUND. COURTESY OF THE ARTIST.

PART OF:

JOHN BOCK, EIN HAUFEN VOLLER FLACKER, 2012, NINE-CHANNEL MIXED-MEDIA VIDEO INSTALLATION; WOOD, STOOLS, COLOR, SOUND

JOHN BOCK, BAUCHHÖHLE BAUCHEN, 2011, VIDEO, 46′55″, COLOR, SOUND. COURTESY OF THE ARTIST.

PART OF:

JOHN BOCK, EIN HAUFEN VOLLER FLACKER, 2012, NINE-CHANNEL MIXED-MEDIA VIDEO INSTALLATION; WOOD, STOOLS, COLOR, SOUND

PETER FISCHLI & DAVID WEISS, HUNDE, 2003, VIDEO, 29′51″, COLOR, SOUND. COURTESY OF THE ARTIST.

PETER FISCHLI & DAVID WEISS, BÜSI, 2001, VIDEO, 6′30″, COLOR, NO SOUND. COURTESY OF THE ARTISTS.

CHRISTIAN JANKOWSKI, WHAT REMAINS, 2004, 16MM FILM TRANSFERRED TO VIDEO, 11′33″, COLOR, SOUND. COURTESY OF THE ARTIST AND HELGA MARIA KLOSTERFELDE, BERLIN.

CHRISTIAN JANKOWSKI, 16 MM MYSTERY, 2004, 35MM FILM TRANSFERRED TO VIDEO, 5′, COLOR, SOUND. COURTESY OF THE ARTIST AND HELGA MARIA KLOSTERFELDE, BERLIN.

CHRISTIAN JANKOWSKI, HOLLYWOODSCHNEE, 2004, 16MM FILM TRANSFERRED TO VIDEO, 11′50″, COLOR, SOUND. COURTESY OF THE ARTIST AND HELGA MARIA KLOSTERFELDE, BERLIN.

CHRISTIAN JANKOWSKI, DIE JAGD, 1992/1997, VIDEO, 1′11″, COLOR, SOUND. COURTESY OF THE ARTIST AND HELGA MARIA KLOSTERFELDE, BERLIN.

BASEL ABBAS & RUANNE ABOU-RAHME, THE INCIDENTAL INSURGENTS: THE PART ABOUT THE BANDITS (CHAPTER 2), 2012/13, HD VIDEO, 6′07″, COLOR, SOUND. COURTESY OF THE ARTISTS.

JOHN BOCK, ZEZZIMINNEGESANG, 2006, 16MM FILM TRANSFERRED TO VIDEO, 27′22″, COLOR, SOUND. COURTESY OF THE ARTIST.

JOHN BOCK, LÜTTE MIT RUCOLA, 2006, HD VIDEO, 35′41″, COLOR, SOUND. COURTESY OF THE ARTIST.

PART OF:

JOHN BOCK, EIN HAUFEN VOLLER FLACKER, 2012, NINE-CHANNEL MIXED-MEDIA VIDEO INSTALLATION

JOHN BOCK, SEEWOLF, 2010, VIDEO, 28′37″, COLOR, SOUND. COURTESY OF THE ARTIST.

PART OF:

JOHN BOCK, EIN HAUFEN VOLLER FLACKER, 2012, NINE-CHANNEL MIXED-MEDIA VIDEO INSTALLATION

JOHN BOCK, LICHTERLOH ROH, 2011, VIDEO, 15′31″, COLOR, SOUND. COURTESY OF THE ARTIST.

PART OF:

JOHN BOCK, EIN HAUFEN VOLLER FLACKER, 2012, NINE-CHANNEL MIXED-MEDIA VIDEO INSTALLATION

JOHN BOCK, MONSIEUR ET MONSIEUR, 2011, VIDEO, 36′49″, COLOR, SOUND. COURTESY OF THE ARTIST.

PART OF:

JOHN BOCK, EIN HAUFEN VOLLER FLACKER, 2012, NINE-CHANNEL MIXED-MEDIA VIDEO INSTALLATION

KEREN CYTTER, LES RUISSELLEMENTS DU DIABLE, 2008, VIDEO, 10′45″, COLOR, SOUND. COURTESY OF THE ARTIST AND GALERIE NAGEL DRAXLER, BERLIN/COLOGNE

KEREN CYTTER, FOUR SEASONS, 2009, VIDEO, 8′05″, COLOR, SOUND. COURTESY OF THE ARTIST AND GALERIE NAGEL DRAXLER, BERLIN/COLOGNE.

KEREN CYTTER, UNTITLED, 2009, VIDEO, 16′52″, COLOR, SOUND. COURTESY OF THE ARTIST AND GALERIE NAGEL DRAXLER, BERLIN/COLOGNE.

JEN DENIKE, WRESTLING, 2002, VIDEO, 3′10″, COLOR, SOUND. COURTESY OF THE ARTIST AND ANAT EBGI GALLERY, LOS ANGELES.

JEN DENIKE, DUNKING, 2003, VIDEO, 3′30″, COLOR, SOUND. COURTESY OF THE ARTIST AND ANAT EBGI GALLERY, LOS ANGELES.

JEN DENIKE, SHIPWRECK, 2005, VIDEO, 49″, COLOR, SOUND. COURTESY OF THE ARTIST AND ANAT EBGI GALLERY, LOS ANGELES.

JEN DENIKE, THE DEADMAN’S FLOAT, 2005, VIDEO, 1′, COLOR, SOUND. COURTESY OF THE ARTIST AND ANAT EBGI GALLERY, LOS ANGELES.

JEN DENIKE, FELL, 2006, VIDEO, 1′20″, COLOR, SOUND. COURTESY OF THE ARTIST AND ANAT EBGI GALLERY, LOS ANGELES.

JEN DENIKE, GIRLS LIKE ME, 2006, VIDEO, 6′, COLOR, SOUND. COURTESY OF THE ARTIST AND ANAT EBGI GALLERY, LOS ANGELES.

JEN DENIKE, THE PIMP, 2015, HD VIDEO, 5′22″, COLOR, SOUND. COURTESY OF THE ARTIST AND ANAT EBGI GALLERY, LOS ANGELES.

NATHALIE DJURBERG & HANS BERG, IT’S THE MOTHER, 2008, VIDEO, 6′, COLOR, SOUND. COURTESY OF THE ARTISTS AND GIÓ MARCONI, MILAN.

NATHALIE DJURBERG & HANS BERG, WE ARE NOT TWO, WE ARE ONE, 2008, VIDEO, 5′33″, COLOR, SOUND. COURTESY OF THE ARTISTS AND GIÓ MARCONI, MILAN.

NATHALIE DJURBERG & HANS BERG, THE EXPERIMENT, 2009, THREE-CHANNEL VIDEO INSTALLATION. COURTESY OF THE ARTISTS AND GIÓ MARCONI, MILAN.

CONSISTING OF:

NATHALIE DJURBERG, HANS BERG, CAVE, 2009, VIDEO, 5’35’’, COLOR, SOUND

NATHALIE DJURBERG, HANS BERG, FOREST, 2009, VIDEO, 7’27’’, COLOR, SOUND

NATHALIE DJURBERG, HANS BERG, GREED, 2009, VIDEO, 10’45’’, COLOR, SOUND

CAO FEI, RMB CITY – A SECOND LIFE CITY PLANNING BY CHINA TRACY, 2007, VIDEO, 6′, COLOR, SOUND. COURTESY OF THE ARTIST AND CREATIVE VITAMINE SPACE, GUANGZHOU.

KATE GILMORE, MAIN SQUEEZE, 2006, VIDEO, 4′59′′, COLOR, SOUND. COURTESY OF THE ARTIST.

KATE GILMORE, MY LOVE IS AN ANCHOR, 2004, VIDEO, 7′05″, COLOR, SOUND. COURTESY OF THE ARTIST.

MANUEL GRAF, SHULMANTONIONI, 2004, MIXED-MEDIA VIDEO INSTALLATION; STOOL, 3′, COLOR, SOUND. COURTESY OF THE ARTIST AND VAN HORN, DÜSSELDORF.

MANUEL GRAF, 1000 JAHRE SIND EIN TAG, 2005, VIDEO, 4′, COLOR, SOUND.

MANUEL GRAF, PING PONG, 2005, MIXED-MEDIA VIDEO INSTALLATION; SCULPTURE; WIRE, PLASTER, PAPIER-MACHÉ, VIDEO, 7′, COLOR, SOUND. COURTESY OF THE ARTIST.

MANUEL GRAF, ÜBER DIE AUS DER ZUKUNFT FLIESSENDE ZEIT, 2006, VIDEO, 9′, B/W, SOUND. COURTESY OF THE ARTIST.

BARBARA HAMMER, I WAS/I AM, 1973, 16MM FILM TRANSFERRED TO VIDEO, 5′35″, B/W, SOUND. COURTESY OF THE ESTATE OF BARBARA HAMMER AND KOW, BERLIN/MADRID.

BARBARA HAMMER, X, 1975, 16MM FILM TRANSFERRED TO VIDEO, 7′04″, COLOR, SOUND. COURTESY OF THE ESTATE OF BARBARA HAMMER AND KOW, BERLIN/MADRID.

BARBARA HAMMER, DOUBLE STRENGTH, 1978, 16MM FILM TRANSFERRED TO VIDEO, 14′03″, COLOR, SOUND. COURTESY OF THE ESTATE OF BARBARA HAMMER AND KOW, BERLIN/MADRID.

BARBARA HAMMER, SANCTUS, 1990, 16MM FILM TRANSFERRED TO VIDEO, 18′18″, B/W & COLOR, SOUND. SOUND BY NEIL B. ROLNICK. COURTESY OF THE ESTATE OF BARBARA HAMMER AND KOW, BERLIN/MADRID.

LUTZ MOMMARTZ, DIE TREPPE, 1967, 16MM FILM TRANSFERRED TO VIDEO, 6′38″, B/W, SOUND. COURTESY OF THE ARTIST.

LUTZ MOMMARTZ, SELBSTSCHÜSSE, 1967, 16MM FILM TRANSFERRED TO VIDEO, 6′16″, B/W, SOUND. COURTESY OF THE ARTIST.

LUTZ MOMMARTZ, WEG ZUM NACHBARN, 1968, 16MM FILM TRANSFERRED TO VIDEO, 10′26″, B/W, SOUND. COURTESY OF THE ARTIST.

LUTZ MOMMARTZ, SOZIALE PLASTIK, 1969, 16MM FILM TRANSFERRED TO VIDEO, 11′41″, B/W, NO SOUND. COURTESY OF THE ARTIST.

LUTZ MOMMARTZ, ALS WÄR’S VON BECKETT, 1975, 16MM FILM TRANSFERRED TO VIDEO, 23′, B/W, SOUND. COURTESY OF THE ARTIST.

ELIZABETH PRICE, AT THE HOUSE OF MR. X, 2007, HD VIDEO, 20′, COLOR, SOUND. COURTESY OF THE ARTIST.

ELIZABETH PRICE, THE WOOLWORTHS CHOIR OF 1979, 2012, HD VIDEO, 10′, COLOR, SOUND. COURTESY OF THE ARTIST.

ELIZABETH PRICE, SUNLIGHT, 2013, TWO-CHANNEL VIDEO INSTALLATION, 10′, COLOR, SOUND. COURTESY OF THE ARTIST.

JON RAFMAN, STILL LIFE (BETAMALE), 2013, HD VIDEO, 4′54″, COLOR, SOUND. COURTESY OF THE ARTIST.

PART OF:

JON RAFMAN, BETAMALE TRILOGY (GLASS CABIN), 2015, MIXED-MEDIA INSTALLATION

JON RAFMAN, MAINSQUEEZE, 2014, HD VIDEO, 7′23″, COLOR, SOUND. COURTESY OF THE ARTIST.

PART OF:

JON RAFMAN, BETAMALE TRILOGY (GLASS CABIN), 2015, MIXED-MEDIA INSTALLATION

JON RAFMAN, ERYSICHTHON, 2015, HD VIDEO, 8′03″, COLOR, SOUND. COURTESY OF THE ARTIST.

PART OF:

JON RAFMAN, BETAMALE TRILOGY (GLASS CABIN), 2015, MIXED-MEDIA INSTALLATION

WOLFGANG TILLMANS, HEARTBEAT/ARMPIT, 2003, VIDEO, 2′27″, COLOR, SOUND. COURTESY OF THE ARTIST.

WOLFGANG TILLMANS, PEAS, 2003, VIDEO, 2′42″, COLOR, SOUND. COURTESY OF THE ARTIST.

TOBIAS ZIELONY, LE VELE DI SCAMPIA, 2009, HD VIDEO, STOP MOTION, 9′16″, COLOR, NO SOUND. COURTESY OF THE ARTIST AND KOW, BERLIN/MADRID.

TOBIAS ZIELONY, DER BRIEF (THE LETTER), 2013, HD VIDEO, STOP MOTION, 4′26″, COLOR, SOUND. COURTESY OF THE ARTIST AND KOW, BERLIN/MADRID.

TOBIAS ZIELONY, THE STREET (C.P.A.), 2013, HD VIDEO, STOP MOTION, 1′57″, COLOR, NO SOUND. COURTESY OF THE ARTIST AND KOW, BERLIN/MADRID.

TOBIAS ZIELONY, MASKIROVKA, 2017, HD VIDEO, STOP MOTION, 8′46″, COLOR, NO SOUND. COURTESY OF THE ARTIST AND KOW, BERLIN/MADRID.